Skip to main content

Opening and Closing in July

A very eclectic mix of shows this month, and we're starting with an exhibition that's not art at all, but of vital interest to everyone. The Science Museum is investigating the Future of Food , looking at new advances in growing, making, cooking and eating it. On from July 24 to January 4, it's free, though you need to book. Oh, and you get to see this 3,500-year-old sourdough loaf..... At the Lowry in Salford, they're offering a double bill of Quentin Blake and Me & Modern Life: The LS Lowry Collection . The show about Blake, who's written or illustrated more than 500 books, looks aimed at a family audience, while the Lowry exhibition includes borrowed works, marking the Salford arts centre's 25th anniversary. On from July 19 to January 4, and entry is again free, though you need to book a timeslot.  Another anniversary this year is the 250th of the birth of Jane Austen; among the exhibitions around the country is one in Winchester, the city where she died ...

Subscribe to updates

Doreen Fletcher's Streets of London

There's a really rather good exhibition of paintings by Doreen Fletcher on at the Nunnery Gallery. Who's Doreen Fletcher, you ask? And where's the Nunnery Gallery?

We're in Bow in east London, and we're looking at townscapes, virtually all of them of the local area. This is Doreen Fletcher: A Retrospective, and this weekday lunchtime it's quite full of visitors, many of them from the East End, and clearly delighting in recognising landmarks that in some cases are now just history.
Doreen Fletcher has been painting the streets of east London since the 1980s, though she stopped working in the early 2000s for lack of recognition before resuming a couple of years ago after being rediscovered. And justifiably so.

She paints in a fairly precise documentary style that's full of detailed observation. Her pictures are by no means devoid of people, but they certainly don't play a central role. They might be in a car or at a bus stop, rarely taking centre stage.
There are echos of Edward Hopper, George Shaw, Ben Johnson, Dutch 17th-century city views and indeed the East London Group who recorded the capital between the wars.

"I am an artist interested in the pockets of life others ignore," Fletcher has said, and those words are inscribed high up on the wall of the main gallery here.
Rain-drenched tarmac, advertising hoardings, boarded-up shopfronts, a stray traffic cone, graffiti on railway bridges, a pink wheelie bin: There's a sort of urban poetry here.

Fletcher's more recent work continues in a similar vein. There's something very up-to-date about The Beckton Fox, on the prowl at the supermarket petrol station:
Hopper's Gas sprang immediately to mind!

This is a delightful show, even if you're not all that familiar with the East End. Doreen Fletcher's pictures are full of interest and anecdote. If you get the chance to head down to Bow in the next few weeks, it's well worth the trip.

Practicalities

Doreen Fletcher: A Retrospective is on at the Nunnery Gallery in Bow, east London until March 24. It's open from 1000 to 1700 Tuesday to Sunday, and admission is absolutely free. The Nunnery Gallery is just a few minutes' walk from both Bow Road station on the Underground's District and Hammersmith & City lines and Bow Church station on the Docklands Light Railway.
I am an artist interested in the pockets of life others ignore

Images

Doreen Fletcher, Commercial Road, Whitsunday, 1989. © Doreen Fletcher, courtesy Nunnery Gallery
Doreen Fletcher, Bus Stop, 1983. © Doreen Fletcher, courtesy Nunnery Gallery
Doreen Fletcher, Salmon Lane in the Rain, 1987. © Doreen Fletcher, courtesy Nunnery Gallery
Doreen Fletcher, The Beckton Fox, 2019. © Doreen Fletcher, courtesy Nunnery Gallery

Comments

Popular posts from this blog

What's On in 2025

What will be the exhibition highlights of 2025 around Britain and Europe? At the end of the year, Tate Britain will be marking 250 years since the birth of JMW Turner and John Constable with a potential blockbuster. Meanwhile, the Swiss are  making a big thing  of the 100th anniversary of the death of Félix Vallotton  (a real favourite of ours). Among women artists in the spotlight will be Anna Ancher, Ithell Colquhoun, Artemisia Gentileschi and Suzanne Valadon. Here's a selection of what's coming up, in more or less chronological order; as ever, we make no claim to comprehensiveness, and our choice very much reflects our personal taste. And in our search for the most interesting shows, we're visiting Ascona, Baden-Baden, Chemnitz and Winterthur, among other places.  January  We start off in Paris, at the Pompidou Centre; the 1970s inside-out building is showing its age and it'll be shut in the summer for a renovation programme scheduled to last until 2030. Bef...

Carrington: You've Met Leonora, Now Discover Dora

Carrington: She only wanted to be known by her surname, unwittingly posing a conundrum for art historians, curators and the wider world a century later.  Because it's another somewhat later Carrington, the long-lived Surrealist and totally unrelated, who's recently become Britain's most expensive woman artist. But today we're at Pallant House Gallery in Chichester to see an exhibition not about Leonora but about Dora Carrington. She hated that name Dora -- so Victorian -- but with Leonora so much in the limelight (and the subject of a  recent show at Newlands House in Petworth, just a few miles up the road), the curators at the Pallant didn't have much option, so they've had to call their retrospective  Dora Carrington: Beyond Bloomsbury .  Leonora was a bit of a rebel, as we found out in Petworth. Dora too. But we ought to respect her wish. Carrington, then, has been a bit neglected recently; this is the first show of her works in three decades. And while ther...

Caillebotte: This Is Modern Paris

You won't find a single work of art by Gustave Caillebotte in a British public collection. And yet he's one of the key figures in the Impressionist movement, whose 150th anniversary we're celebrating this year. But over in Paris, he's the subject of a big, big exhibition at the Musée d'Orsay; we jumped on the Eurostar to see it, and, even though  Caillebotte: Painting Men   was the most crowded show we'd been to in quite some time, we absolutely adored it.  And let's start with perhaps the pièce de résistance. Even if you don't know Caillebotte at all, you may have seen this image before; there's something about it that encapsulates late 19th-century Paris, with its view of an intersection between the broad new streets pushed through by that radical city-planner, Baron Haussmann, lined by elegant new buildings. This was the modern city, the modern world. Paris Street; Rainy Day : a painting in which there's nothing really happening, and there...