"Fire and water.... the one all heat, the other all humidity -- who will deny that they both exhibit, each in its own way, some of the highest qualities of Art?" That was the Literary Gazette 's verdict in 1831 on JMW Turner and John Constable, probably the most admired of all British landscape artists. Almost exact contemporaries whose work is being celebrated at Tate Britain in Turner & Constable: Rivals & Originals , a thoroughly engrossing exhibition that bathes you in the drama of Turner's golden sunlight, contrasted with perhaps the more understated charms of Constable's cloud-filled skies. "The Sun is God" are supposed to have been Turner's last words, and throughout this show you can't get away from his solar worship -- one striking watercolour records The Sun Rising over Water . And that's it, that's all there is, but to be frank, you don't really notice the water. It's the bright yellow Sun that holds your eye,...
Edinburgh takes centre-stage in July, with the start of two big exhibitions. Rembrandt: Britain's Discovery of the Master runs at the Scottish National Gallery from July 7 to October 14 and aims to show how the taste for Rembrandt's work has evolved over four centuries. It features major paintings by Rembrandt in British collections as well as some that used to be in the UK but are now overseas. There'll also be work by British artists influenced by Rembrandt, including Hogarth, Reynolds, Kossoff and Auerbach. A week later, on July 14, Emil Nolde: Colour Is Life opens at the Scottish National Gallery of Modern Art. Running until October 21, this show comprises about 100 works, including 40 paintings from the Nolde Foundation in Seebüll on Germany's border with Denmark. Nolde's vibrant Expressionism led to his art being labelled as degenerate by the Nazis, yet he was also a supporter of National Socialism. It's worth noting that when this exhibition was on ...