The Art Exhibitions Blog

The highest-profile opening in London this January? It might well be Francis Bacon: Man and Beast at the Royal Academy. Starting on January 29, this exhibition will focus on Bacon's fascination with animals, featuring pictures in which the boundaries between humans and animals are constantly blurred. Spanning his entire career, the show will include a trio of bullfight paintings never before exhibited together. If your New Year's resolution is to go vegetarian, this one may be a bit on the fleshy side. Until April 17.  For something perhaps a bit less unsettling, head to Room 1 at the National Gallery to see Gainsborough's Blue Boy . Thomas Gainsborough's full-length canvas of a child was exhibited at the National for three weeks in 1922 before sailing across the Atlantic to the Huntington Library in California. It's a painting that's long had a hold on the imagination; it's been frequently referenced in Hollywood movies, and now it's being loaned out b...

We're on the cusp of 2022, but the New Year has a 2021 ring to it as some galleries play catch-up, putting on Covid-cancelled exhibitions that we had already highlighted as this year's ones to look forward to. And a couple of shows mentioned below were also on the schedule for 2020. This round-up of some of what's caught our eye among the displays planned by museums and galleries around Europe for the next 12 months may not be definitive, but it is in chronological order as we publish. Watch out for our monthly What's On for precise dates nearer the time. Here goes, with fingers crossed now that museums in various countries are closed again....   February The Courtauld Gallery in London has just reopened after renovation, and its first big exhibition since then starts on February 3: Van Gogh Self-Portraits . It will bring together more than 15 pictures, around half of Vincent van Gogh's total output of self-portraits across his career, and is the first devoted to hi...

Wouldn't it be nice to get away for a while, to spend some time in a really exotic environment? Well, you can. Just book a ticket to Peru: a Journey in Time at the British Museum, where the past, the present and the future merge into an other-worldly experience.  And this is another world, a very strange different world, where the inhabitants make curious but stunning artefacts, where they sacrifice humans to appease the gods, where great civilisations develop, but without the invention of the wheel, or the invention of writing. If you have no script, images play a huge part in everyday life. And in this absorbing show we're confronted by a succession of arresting objects made by the peoples who lived in Peru over the course of several thousand years. Such items were used in ceremonies to seek the assistance of higher powers for the living and to prepare the dead for the afterlife. And these were not merely inanimate objects; they were seen as living beings themselves.  The f...

Mary, Queen of Scots: She acceded to the throne when just six days old, spent her childhood in France, was married three times and was forced to abdicate by an uprising. She fled south seeking the protection of her cousin Elizabeth, the Virgin Queen of England. But the Catholic Mary had once claimed the crown of the Protestant Elizabeth, and she spent nearly two decades in custody, never actually coming face-to-face with her cousin, before she was eventually executed for plotting against Elizabeth. What a story. Dynastic ambition, power politics, religious strife, sex and quite a lot of violence. Gorgeous costumes too. No wonder it's had such a hold on the imaginations of dramatists and musicians down the centuries. Schiller's play, Donizetti's opera, films starring the likes of Katharine Hepburn, Vanessa Redgrave and Glenda Jackson.  Elizabeth and Mary: Royal Cousins, Rival Queens  at the British Library in London captures some of the drama and spectacle of the events. The...

Hogarth and Europe : It's an intriguing-sounding exhibition at Tate Britain; the chance to see that great chronicler of 18th-century London life, William Hogarth, compared with his contemporaries in Paris, Venice and Amsterdam. Hogarth "was not alone," the Tate tells us on its website. "Across Europe, artists were creating vivid images of contemporary life and social commentary." So we went along in the expectation that we were going to see Hogarth's story-telling and insight reflected in similar scenes from across the continent.  Alas no. Somewhere between the conception and the execution, another idea seems to have taken hold. For one thing, few of the pictures on show here from French, Italian or Dutch artists are a patch on Hogarth, and they don't really live up to the billing of vivid social commentary. And there also appears to be a determined attempt to present Hogarth as an ingrained misogynist and racist, failing to live up to 21st-century value...

Laura Knight's paintings are full of strong women -- in many senses of the word. And though to us in the early 21st century, many of her pictures may appear at first glance somewhat conventional, Knight was an artist who 100 or so years ago not only broke sharply with convention, including in her subject matter, but who also broke through the glass ceiling to reach the very top of her male-dominated profession.  Laura Knight: A Panoramic View  at the MK Gallery in Milton Keynes is a splendid, thoroughly enjoyable, often surprising and rather uplifting exhibition. The curators have brought together more than 160 works from all corners of the country -- from Bolton and Blackpool, Perth and Dundee, Falmouth and Canterbury, from some towns that we didn't even realise had art galleries.  Knight was born in 1877, and when she trained as an artist, she wasn't allowed to join life-drawing classes because she was a woman. But change was rapid in the 20th century, and in the mid-19...

Google The Great Wave , surely the most widely known, the most easily identifiable image in Japanese art, and, in less than a second, you'll get more than 1 billion results, some of which might even tell you something about its creator, the great painter and printmaker Katsushika Hokusai.  Of course, in the days before the Internet and search engines, you'd have needed to get some sort of reference book off the shelf to find out about something like that. Where to turn first? An encyclopedia, possibly.  The Great Picture Book of Everything : that sounds perfect.... let's see; it's got depictions of plants and animals, distant lands and distant peoples, myths and gods, inventions. Who's created the illustrations? Wow, Hokusai himself.... Hokusai: The Great Picture Book of Everything at the British Museum in London puts on public display for the first time more than 100 drawings Hokusai made in the 1820s to 1840s for an encyclopedia that was never actually published....