The Art Exhibitions Blog

Tate Britain offers a double-header of 20th-century British artists this month with  Edward Burra -- Ithell Colquhoun . Though they were close contemporaries, it's not an obvious combination; Burra is perhaps best known for his depictions of sometimes seedy inter-war nightlife, Colquhoun for her Surrealist work. This show features more than 80 pictures by Burra and over 140 Colquhoun exhibits. On from June 13 to October 19.  At the National Portrait Gallery, you can see  Jenny Saville: The Anatomy of Painting , featuring 45 works from across the career of the contemporary British artist known for her large-scale, close-up paintings of the human body. June 20 to September 7. Another double bill, this time at the Royal Academy, where contemporary artist Anselm Kiefer is paired with one of the all-time greats, Vincent Van Gogh. As a teenager Kiefer received a travel grant to follow in Vincent's footsteps. From June 28 to October 26 Kiefer/Van Gogh  looks at the Dutchman...

The fabrics swirl, billow, ripple and cling.... the colours are gorgeous, the atmosphere often dreamlike. It is a feast for the eyes.  We've come to see  Evelyn De Morgan: The Modern Painter in Victorian London at the Guildhall Art Gallery in the very heart of the City. It's a bit of a misnomer, that title, because De Morgan's work doesn't really convey much of an impression of modernity, certainly not in the sense of late 19th-century technological and scientific progress. The style is reminiscent in many ways of the Pre-Raphaelites from earlier in the Victorian era, and  Edward Burne-Jones  in particular.  But what was modern about Evelyn De Morgan was in fact the most obvious thing about her; she was a woman, in what was still a very male art world.   Before we get into De Morgan's history, let's start with a painting to give a flavour of her art, and it's one of the most spectacular in this exhibition: The Storm Spirits . Just pause for a moment t...

If you were asked to name a Mexican painter, you'd probably initially think of Frida Kahlo. Then, maybe, Diego Rivera. But the first historical Mexican artist -- indeed the first from Latin America -- to get an exhibition at London's National Gallery in its 200-year existence is José María Velasco. No, we didn't know anything about him either, so we were keen to see the show.    And what you discover in  José María Velasco: A View of Mexico  is certainly exotic, though not perhaps in the way you're expecting. Velasco, born in 1840, was trained in a tradition of European landscape painting, and while some of the pictures you see at the National Gallery have an air of the Old World, this one definitely doesn't:   The cactus is spectacular enough, with its green branches reaching into the blue sky above the hills beyond, but it's only when you notice the man in the shade beneath it that you realise how immense this plant really is. This is a painting that...