"Fire and water.... the one all heat, the other all humidity -- who will deny that they both exhibit, each in its own way, some of the highest qualities of Art?" That was the Literary Gazette 's verdict in 1831 on JMW Turner and John Constable, probably the most admired of all British landscape artists. Almost exact contemporaries whose work is being celebrated at Tate Britain in Turner & Constable: Rivals & Originals , a thoroughly engrossing exhibition that bathes you in the drama of Turner's golden sunlight, contrasted with perhaps the more understated charms of Constable's cloud-filled skies. "The Sun is God" are supposed to have been Turner's last words, and throughout this show you can't get away from his solar worship -- one striking watercolour records The Sun Rising over Water . And that's it, that's all there is, but to be frank, you don't really notice the water. It's the bright yellow Sun that holds your eye,...
The headline new exhibition in London in October is Francis Bacon: Human Presence at the National Portrait Gallery, which assembles more than 55 works to examine Bacon's far-from-traditional approach to portraiture from the 1950s onwards. Among the sitters: Lucian Freud. The show runs from October 10 to January 19. Those in search of something less visceral might prefer to Discover Constable & The Hay Wain at the National Gallery. This is the latest in a series of relatively small free shows at the gallery looking at a single picture in depth; we've found them very enjoyable so far. Constable's painting is now seen as presenting a traditional view of the countryside; when it was made, though, it was regarded as rather radical. On from October 17 to February 2. More than five years ago, we went to the Nunnery Gallery in Bow in east London to see an exhibition of paintings of the local area by Doreen Fletcher . Those modern cityscapes could be seen as fo...