An exhibition devoted to one artist can be very satisfying: not only do you get to know them and what made them tick, how they developed and changed, but often you also have a history lesson. And all the pictures too. We've been to just such a solo show in Switzerland, and just like Swiss trains, it all worked beautifully. The artist: Félix Vallotton. Vallotton Forever: The Retrospective at the Musée cantonal des Beaux-Arts in Lausanne, the city of his birth in 1865, is the culmination of a year of Swiss events to mark the 100th anniversary of his death in 1925. It's an absolutely massive show, bringing together about 250 works from public and private collections. But Vallotton's output was so varied, exploring so many different artistic avenues, that it's a constant voyage of discovery. So where to start? Perhaps in the mid-1890s, when Vallotton, who'd moved to the bright lights of Paris when he was just 16, joined the Nabis , the group of Post-Impressionists ar...
The headline new exhibition in London in October is Francis Bacon: Human Presence at the National Portrait Gallery, which assembles more than 55 works to examine Bacon's far-from-traditional approach to portraiture from the 1950s onwards. Among the sitters: Lucian Freud. The show runs from October 10 to January 19. Those in search of something less visceral might prefer to Discover Constable & The Hay Wain at the National Gallery. This is the latest in a series of relatively small free shows at the gallery looking at a single picture in depth; we've found them very enjoyable so far. Constable's painting is now seen as presenting a traditional view of the countryside; when it was made, though, it was regarded as rather radical. On from October 17 to February 2. More than five years ago, we went to the Nunnery Gallery in Bow in east London to see an exhibition of paintings of the local area by Doreen Fletcher . Those modern cityscapes could be seen as fo...