No one before had ever painted horses like George Stubbs. Not only did they look incredibly lifelike, he seemed able to capture their individual character -- a talent that ensured he could command extremely high prices for his work from wealthy and influential patrons. There's now a rare chance to appreciate the only one of the painter's outstanding lifesize equine canvases still in private hands in a small free exhibition, Stubbs: Portrait of a Horse , in Room 1 at the National Gallery in London. This is Scrub, eight times a race winner, who like the gallery's Whistlejacket belonged to one of those rich patrons, the Marquess of Rockingham, and he commissioned both pictures in about 1762. Scrub, again like Whistlejacket, was depicted not just as a racehorse, under the control of a jockey or stable boy, but in a grand manner, intended to serve as the steed in an equine portrait of George III, who had recently come to the throne. Other specialist painters would be u...
Not long now till the Olympics start in Paris, but the Fitzwilliam Museum in Cambridge is looking back to the last such event in the French capital, the Chariots of Fire Games of 1924. Paris 1924: Sport, Art and the Body will use a range of media -- painting, fashion, film, photography and more -- to examine how tradition and modernism came together to shape the future of sport. July 19 to November 3, and entry is free. Elsewhere in East Anglia, Gainsborough's House in Sudbury stages the first major exhibition in 40 years of the work of Cedric Morris, perhaps best known as a teacher of Lucian Freud at his art school in Suffolk and as a breeder of irises. We saw a couple of smaller-scale Morris shows in London back in 2018 , but this one aims to take a deeper and broader view of Morris and his artistic and romantic partner, Arthur Lett-Haines. Revealing Nature: The Art of Cedric Morris & Arthur Lett-Haines is on from July 6 to November 3. The record for the most valuab...