The James McNeill Whistler exhibition at Tate Britain is big, probably a bit too big, but it's packed with beautiful pictures and it's not in the least bit boring. That's not surprising as Whistler led a colourful life, never shying from controversy and confrontation -- notably pursuing a high-profile libel case against John Ruskin -- and he produced art that was groundbreaking, hugely influential and enormously atmospheric. Including, of course, probably one of the most recognisable paintings in art history, that of his mother in profile, dressed in black. It's in this show, and we'll be taking a look at it shortly. But we start in Whistler's studio, where the artist has painted himself at work, palette and brush in his hands, and looking out directly at us, the viewers. This is the first picture you see in the show, and we're told that for Whistler, the studio was a place for public performance, as well as making art. So here he is, making a statemen...
Not long now till the Olympics start in Paris, but the Fitzwilliam Museum in Cambridge is looking back to the last such event in the French capital, the Chariots of Fire Games of 1924. Paris 1924: Sport, Art and the Body will use a range of media -- painting, fashion, film, photography and more -- to examine how tradition and modernism came together to shape the future of sport. July 19 to November 3, and entry is free. Elsewhere in East Anglia, Gainsborough's House in Sudbury stages the first major exhibition in 40 years of the work of Cedric Morris, perhaps best known as a teacher of Lucian Freud at his art school in Suffolk and as a breeder of irises. We saw a couple of smaller-scale Morris shows in London back in 2018 , but this one aims to take a deeper and broader view of Morris and his artistic and romantic partner, Arthur Lett-Haines. Revealing Nature: The Art of Cedric Morris & Arthur Lett-Haines is on from July 6 to November 3. The record for the most valuab...