Which Japanese artist had the greatest influence on the West at the end of the 19th century? Perhaps not so much Katsushika Hokusai , despite The Great Wave ; maybe more Utagawa Hiroshige, four decades younger and the last great exponent of the ukiyo-e tradition, with his stunningly framed landscapes. From May 1, you have the chance at the British Museum in London to experience Horoshige's world, which ended just as Japan started to open up to the outside. Featuring a large body of work from a major US collection, Hiroshige: Artist of the Open Road is on until September 7. And also at the British Museum, a second new exhibition explores the origins of Hindu, Jain and Buddhist sacred art, going back at least 2,000 years. More than 180 objects from the museum's collection as well as items on loan will be on display. Ancient India: Living Traditions runs from May 22 to October 19. If you enjoyed the colour and swagger of the John Singer Sargent show at Tate ...
The revolution won't happen overnight, but it's coming. And it will take place in 1874, when the rebels who'll become known as the Impressionists hold their first exhibition in Paris. To see how the Impressionists got there, and what they were rebelling against, we've come to Cologne, and the Wallraf-Richartz-Museum, for an utterly enjoyable exhibition about the art of the 1860s and 70s that found official approval from the French state and from the traditionalist critics -- and the art that didn't. The show is entitled 1863 Paris 1874: Revolution in Art -- From the Salon to Impressionism , and this is the striking image that greets you as you enter, a painting that we've never seen before (it belongs to the Spanish central bank ) but which seems to sum up the entire topic for you in one go. The Catalan artist Pere Borrell del Caso actually created this trompe l'oeil in 1874, completely independently of the Impressionists. It wasn't originally called ...