The Art Exhibitions Blog

Christmas is coming, and so maybe your thoughts are set on one of those German Christmas markets, your chilled hands warmed by a glass of mulled wine. Head to Hamburg, and you can take in a top-class exhibition as well.  Caspar David Friedrich: Art for a New Age  starts at the Kunsthalle on December 15, marking the 250th anniversary of the birth of the leading German Romantic painter, a major retrospective with more than 60 paintings looking at the new relationship between man and nature that Friedrich explored at the start of the 19th century. It's on until April 1. We're big Friedrich fans, and we've already enjoyed one exhibition of his work this year, in Schweinfurt in northern Bavaria.  But let's head back to London, stopping in first at the National Gallery for the first-ever exhibition dedicated to a neglected 15th-century Florentine painter. That's Francesco Pesellino: A Renaissance Master Revealed in a free show from December 7 to March 10. Pesellino work...

Ever played the parlour game in which you have to name 10 famous Belgians? Art lovers shouldn't have too much trouble, as long as we're counting Flemish painters from the days before Belgium actually became a country in its own right in 1830. And there are dozens of artists on show in  Rare and Indispensable: Masterpieces from Flemish Collections at the Museum aan de Stroom in Antwerp. (There are some pieces by non-Belgians as well!) This exhibition brings together around 100 objects out of more than 1,000 designated by the Flemish regional government as being of major cultural significance -- snappily referred to as  topstukken in Dutch. Such works -- in museums in Bruges, Ghent, Antwerp and locations right across Flanders -- enjoy official protection as being "indispensable" and consequently can't be taken outside the region without permission. They started the list 20 years ago, hence this anniversary show in a modern museum that's assumed a certain cache...

The first work you encounter by Dieric Bouts is a pretty gruesome one.  It's a triptych depicting the martyrdom of St Erasmus. The saint lies tied to a board, looking remarkably stoic considering his intestines are being wound out of him by two men straining at a windlass. His bishop's mitre can be seen at the bottom left of the central panel. Four men oversee the torture, the central figure gorgeously attired in a fur-trimmed green-and-gold coat, his gaze directed to the incision in Erasmus's stomach. This frightful subject matter is beautifully laid out, precisely drawn and bursting with colour. Your average visitor to St Peter's Church in Leuven 550 years ago might not have been able to read, but in Bouts's painting they could take in the story of Erasmus in one powerful image.   Thus begins  Dieric Bouts: Creator of Images  at M Leuven. Bouts lived and worked in this Flemish university city in the late 15th century, a generation or so behind those founding f...

Come out of  Turning Heads at the Royal Museum of Fine Arts in Antwerp and you'll start looking at the people of Belgium's second city in an entirely different way. You'll encounter living examples of the faces you have just seen on wood or canvas in the exhibition galleries, painted four or five hundred years ago by Peter Bruegel the Elder , Peter Paul Rubens and Jacob Jordaens. And realise that they're not that different.... This is such a fun show at Antwerp's newly renovated main art gallery, and an enlightening one. Alongside the great Flemish masters, there are pictures by the stars of the Dutch Golden Age -- Rembrandt , Hals and Vermeer -- and a lot more, exploring a genre that plays a big role in the painting of the Low Countries: the study of heads, both as preliminary sketches for spectacular group pictures and then as works of art in their own right.  Such paintings are known in Dutch as  tronies  -- portraits that aren't really portraits but chara...

Winter is approaching in the French village of Giverny, the home of Claude Monet, and so the flowers are dying back in his glorious gardens, even those famous waterlilies in the lake that were such an inspiration for his paintings. But just down the road, at the Musée des impressionnismes, summer lives on, and the blooms are vibrant, celebrating the power of flowers in art. We called in to the museum just before Monet's Garden closed for the season, possibly the only people among the many hundreds of visitors in the village that day who'd gone to Giverny specifically to see the exhibition called Flower Power . We weren't disappointed; the curators have put together an opulent bouquet of painting, sculpture, photography and design.  The Musée des impressionnismes is, we suspect, a bit of an irrelevance to the great mass of tourists in Giverny determined to tick the footbridge over Monet's lily pond off their selfie photo list. But for the more discerning art-lover like y...