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Showing posts from October, 2023

Dispel the Winter Blues with a Trip to the Seaside

Summer's long gone now.... gone and just a memory Curling up in front of the fire with a good book, bingeing on a TV series box set or heading south is how you might normally try to get through the northern winter, but this year you could just go to Stockholm to dispel the chill.  Yes, Stockholm, the capital of Sweden, because there you can immerse yourself in the delights of the long summer days on display in To the Sea! The Beach as Borderland and Summer Dream  at the Nationalmuseum. Really, those Scandinavian coastlines are so tempting: What could be more attractive than A Stroll on the Beach at Skagen, at the very northern tip of Denmark?    Here are five ladies enjoying Skagen's almost endless strand and endless skies, as painted by Michael Ancher (husband of Anna ) in 1896. Luckily those hemlines were just off the ground, so as not to get dirty on the sand.  This very wide-ranging exhibition in Stockholm explores the growth of seaside tourism in Europe an...
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Opening and Closing in November

It's in the reign of King Henry VIII that English history seems to come to life, to become truly accessible. And part of that is down to the portraits of the royal family and the court by the German artist Hans Holbein the Younger, which retain an uncanny immediacy five centuries on. Holbein at the Tudor Court at the Queen's Gallery in London will display the largest group of Holbein's works from the Royal Collection in more than 30 years, including over 40 of his sublime portrait drawings, of sitters such as Anne Boleyn, Jane Seymour and Thomas More. It's on from November 10 until April 14. More works on paper at the Royal Academy, but from well over 300 years later: Degas, Cezanne, Morisot , van Gogh, Monet and Toulouse-Lautrec are all represented in Impressionists on Paper , which assembles 77 exhibits to show how the Impressionists and Post-Impressionists transformed art through other media as well as painting. This one runs from November 25 to March 10. November ...
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Black and White -- But Not Much Colour

Frans Hals is one of the three greatest artists of the Dutch Golden Age, along with Rembrandt and Vermeer, and if you go along to  Frans Hals  at the National Gallery in London, you'll understand why, hopefully. He was a master portraitist, who appears to have been able to apply paint to canvas almost without effort and to dazzling effect. That loose brushwork was a huge influence on artists in late 19th-century France. There are about 50 paintings in this exhibition, the first Hals retrospective for several decades, and they're mostly terrific.  And yet.... we found this show oddly underwhelming, surprisingly flat. The pictures are glorious, but the presentation seemed curiously contextless. Nowhere do you get a feel for the society in Holland and Hals's home city of Haarlem that allowed this upsurge in artistic creativity at the start of the 17th century, the bourgeoning capitalism, expanding middle class and economic growth that permitted all these men in up-to-the-min...
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