Why did King Charles I bring Anthony van Dyck to London as his court painter in 1632? Well, van Dyck could make you look magnificent, every inch a monarch. He'd portrayed the ruling elite in all their sumptuous finery in Rome, Genoa, Brussels and The Hague, and the results were stunning. Van Dyck has the reputation of being the best portraitist in Europe in the early 17th century, and if you want to know why, make an effort to get to the Palazzo Ducale in Genoa to see Van Dyck, the European , a superlative exhibition about a superlative painter. This is what Charles was paying van Dyck's high prices for: that impression of regal might (and no expense spared on the fashionable outfits or coiffure either). The figures of the King and his Queen, Henrietta Maria, are about lifesize and feel incredibly real, even four centuries later. Of course, just in case you didn't recognise His Royal Highness, there's his golden crown, sceptre and orb on the table behind him. Though ...
We'll start this month at the almost brand-new Young V&A in London's East End -- Bethnal Green to be precise. It opened in July, as a museum specifically designed to appeal to children and families. October 14 sees the arrival of the first big exhibition there, called Japan: Myths to Manga . It explores landscape, history, folklore, culture, technology and design -- with toys, games and cartoons playing a big part as well as superb art like Hokusai's Great Wave . On till August 11. If you missed the magnificent Gwen John exhibition at Pallant House in Chichester this summer (and there's still a week to go!), a version will be coming to the Holburne Museum in Bath from October 21. In the Holburne's somewhat smaller exhibition space, the show, running until April 14, will have an increased focus on the intensity and intimacy of John's late work. There are pictures too by contemporaries including Vuillard, Bonnard and Hammershøi. Also on at the Holburne unti...