For centuries, landscape was usually seen as a backdrop in history or religious paintings, but British Landscapes: A Sense of Place at the Pallant House Gallery in Chichester shows how it evolved as a genre in its own right. And in particular, how artists in the 18th, 19th and 20th centuries were not just reproducing a scene before their eyes but trying to convey in their pictures the emotions and feelings evoked by the land and countryside: the sense of the place, as Pallant Director Simon Martin, who c urated this exhibition, aptly describes it. The show's not on for much longer, but here's a few of our impressions, and let's start with a painting that's a fine example of how an artist puts current events and concerns on canvas. It was December 1916 when Mark Gertler painted this view of the South Coast Near Swanage . It looks so peaceful, the sea is smooth, the distant cliffs of the headland appear soft and even the nearby greenery is out of focus. But W...
We'll start this month at the almost brand-new Young V&A in London's East End -- Bethnal Green to be precise. It opened in July, as a museum specifically designed to appeal to children and families. October 14 sees the arrival of the first big exhibition there, called Japan: Myths to Manga . It explores landscape, history, folklore, culture, technology and design -- with toys, games and cartoons playing a big part as well as superb art like Hokusai's Great Wave . On till August 11. If you missed the magnificent Gwen John exhibition at Pallant House in Chichester this summer (and there's still a week to go!), a version will be coming to the Holburne Museum in Bath from October 21. In the Holburne's somewhat smaller exhibition space, the show, running until April 14, will have an increased focus on the intensity and intimacy of John's late work. There are pictures too by contemporaries including Vuillard, Bonnard and Hammershøi. Also on at the Holburne unti...