It takes a split second these days to create an image, and how many millions are recorded daily on mobile phones, possibly never to be looked at again? You can see it all happening in the palatial surroundings of the Kunsthistorisches Museum in Vienna, definitely one of those tick-off destinations on many travellers' bucket lists, where those in search of instant pictorial satisfaction throng the imposing statue-lined staircase for a selfie or pout for a photo in the café under the spectacular cupola. But we're not in Vienna for a quick fix, we're at the KHM to admire something more enduring in the shape of art produced almost 500 years ago by Rembrandt and his pupil Samuel van Hoogstraten that was intended to mislead your eyes into seeing the real in the unreal. Artistic deception is the story at the centre of Rembrandt--Hoogstraten: Colour and Illusion , one of the most engrossing and best-staged exhibitions we've seen this year. And, somewhat surprisingly, a show wi...
When she was alive, Gwen John was a big name in the art world, a really big name. As we learn at the start of Gwen John: Art and Life in London and Paris at Pallant House Gallery in Chichester, her pictures were so admired in France in the 1920s that "everyone knows of Miss John.... and the Salon takes all she will send them." But after her death at the start of World War II, John gained a reputation as something of a recluse, an artist who'd worked in isolation, and she was outshone by her flamboyant brother Augustus. This show in Chichester restores Gwen to her rightful position in art history, placing her squarely among a group of groundbreaking turn-of-the-century artists including Edouard Vuillard , Pierre Bonnard and her lover Auguste Rodin, for whom she posed. This is a captivating exhibition. John's paintings -- largely portraits and interiors -- are not loud or showy; they're incredibly restrained, with their muted tones and soft brushwork conveyi...