There's no denying it: Bridget Riley's art has a physical effect on you. So much so that gallery attendants at Turner Contemporary in Margate for Bridget Riley: Learning to See have been advised to avert their eyes from the paintings regularly. Stand in front of those curves and waves, or the precise narrow brightly coloured vertical stripes that fill some works, and you may feel you are swaying. You become slightly dizzy or a little queasy, even perhaps a bit seasick; well, it can get pretty choppy out there on the North Sea, just beyond the gallery walls. Nothing too alarming or extreme, though; it's just a perception. When we went to see this Bridget Riley show w e knew what to expect, having been in July 2019 to the blockbuster exhibition at the Scottish National Gallery in Edinburgh that brought together half a century of pictures in a dazzling extravaganza of Op Art abstraction. It moved to the Hayward Gallery in...
The Ashmolean Museum in Oxford is reviving Pre-Raphaelites: Drawings & Watercolours , a show that closed after just five weeks last year due to the Covid pandemic. On from July 15 to November 27, this exhibition features more than 100 works from the museum's own outstanding Pre-Raphaelite collection; Rossetti, Burne-Jones, Holman Hunt and Millais are the big names. There are two new exhibitions coming to the Lightbox in Woking, a venue we always enjoy visiting. Starting on July 9, Eric Ravilious and Edward Bawden are the stars of a collaboration with the Fry Art Gallery in Saffron Walden that looks at the story of the artists' colony at Great Bardfield in Essex; more than 30 paintings and drawings will be on display. The Ingram Collection & the Fry Art Gallery: 'Bawden, Ravilious and the Art of Great Bardfield' runs until October 9. The second show, beginning on July 16, sets 20 paintings, prints and drawings of Venice and England by Canaletto alongside ...