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Showing posts from April, 2022

A Swede at Home and Abroad

It might seem a bit odd travelling to Madrid to see an exhibition by a Scandinavian artist.... but the Swede Anders Zorn made the journey to Spain nine times in his career. He wasn't a painter we'd been familiar with, the Swedes lagging some way behind their Nordic neighbours in our art explorations; we'd been intrigued by the idea of seeing a retrospective of his work in Hamburg late last year but didn't make it, so we seized the chance to view the same show at the Mapfre Foundation in Madrid under the title  Anders Zorn: Travelling the World, Remembering the Land . Zorn, who lived from 1860 to 1920, was a big name in his day, and it's easy to appreciate why from this exhibition. He had fantastic technique and worked in a broad range of genres, famed particularly for his portraiture. But he's quite difficult to pigeonhole, and as for some of his early subject matter, it really is rather sickly sweet.    As the exhibition title spells out, Zorn explored the worl...

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Opening and Closing in May

It's a motif that recurs in art down the centuries, going back to ancient times: a woman at a window. A new show at Dulwich Picture Gallery in south-east London builds an exhibition on the theme around its own Girl at a Window by Rembrandt with more than 40 works going right up to the present day, though don't expect Vermeer  or Caspar David Friedrich . Reframed: The Woman in the Window runs from May 4 to September 4.  We've seen Edvard Munch in Oslo at the old Munch Museum and the old National Gallery, but we've never been to the significant Munch collection at KODE in Bergen, collected during the painter's lifetime by the industrialist Rasmus Meyer. Eighteen works from the collection, dating from the 1880s and 1890s, will be on show at the Courtauld Gallery from May 27 to September 4 in Edvard Munch: Masterpieces from Bergen . Will this be as popular as the Van Gogh Self-Portraits show at the Courtauld, which finishes on May 8 but is completely sold out? A fre...

Glimmers from the Mists of Prehistory

There's stone, bone, bronze and, extraordinarily given that these objects are thousands of years old, a surprising amount of wood. But it's the gold that steals the show in  The World of Stonehenge at the British Museum in London.  Between 1900 and 1600 BC -- yes, almost 4000 years ago, and that's quite a concept to get your head round -- craftsmen were able to create this remarkable gold cape , which was uncovered by workmen in North Wales in 1833.  It's a stunning object in its own right, beautiful and mysterious. Imagine the sunlight glinting on it as the person who wore it -- and they must have been someone of great rank or status -- displayed it to.... whom? Worshippers, subjects? On some great day of celebration, presumably. On the other hand, the wearer would have been unable to move his or her upper arms....  Enormous skill and hard work went into its making, those patterns beaten out with only the most basic of tools. And consider the wealth it must have ta...