"Fire and water.... the one all heat, the other all humidity -- who will deny that they both exhibit, each in its own way, some of the highest qualities of Art?" That was the Literary Gazette 's verdict in 1831 on JMW Turner and John Constable, probably the most admired of all British landscape artists. Almost exact contemporaries whose work is being celebrated at Tate Britain in Turner & Constable: Rivals & Originals , a thoroughly engrossing exhibition that bathes you in the drama of Turner's golden sunlight, contrasted with perhaps the more understated charms of Constable's cloud-filled skies. "The Sun is God" are supposed to have been Turner's last words, and throughout this show you can't get away from his solar worship -- one striking watercolour records The Sun Rising over Water . And that's it, that's all there is, but to be frank, you don't really notice the water. It's the bright yellow Sun that holds your eye,...
It's a motif that recurs in art down the centuries, going back to ancient times: a woman at a window. A new show at Dulwich Picture Gallery in south-east London builds an exhibition on the theme around its own Girl at a Window by Rembrandt with more than 40 works going right up to the present day, though don't expect Vermeer or Caspar David Friedrich . Reframed: The Woman in the Window runs from May 4 to September 4. We've seen Edvard Munch in Oslo at the old Munch Museum and the old National Gallery, but we've never been to the significant Munch collection at KODE in Bergen, collected during the painter's lifetime by the industrialist Rasmus Meyer. Eighteen works from the collection, dating from the 1880s and 1890s, will be on show at the Courtauld Gallery from May 27 to September 4 in Edvard Munch: Masterpieces from Bergen . Will this be as popular as the Van Gogh Self-Portraits show at the Courtauld, which finishes on May 8 but is completely sold out? A fre...