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Showing posts from April, 2022

Knowing Me, Knowing You

Self-portraits; now, we've seen quite a lot of exhibitions of those over the years. You know how Rembrandt or Vincent van Gogh saw themselves. But how do artists depict other artists? What happens when Peter Blake meets David Hockney, when Eric Ravilious takes on Edward Bawden? Answers can be found at the Pallant House Gallery in Chichester in a very interesting and illuminating exhibition entitled  Seeing Each Other: Portraits of Artists .  And sometimes the artist you see is a different artist from the one you might be expecting. When Mary McCartney photographed Tracey Emin in 2000, what came out was Frida Kahlo. McCartney felt a close affinity with the Mexican artist, and so did Emin, whose controversial My Bed had just been shortlisted for the Turner Prize. McCartney said she'd had a daydream of Emin as Kahlo, who spent a lot of time in bed herself as a result of her disabling injuries.  Emin was made up and dressed for the shoot, and then, according to McCartney , "...

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Opening and Closing in May

It's a motif that recurs in art down the centuries, going back to ancient times: a woman at a window. A new show at Dulwich Picture Gallery in south-east London builds an exhibition on the theme around its own Girl at a Window by Rembrandt with more than 40 works going right up to the present day, though don't expect Vermeer  or Caspar David Friedrich . Reframed: The Woman in the Window runs from May 4 to September 4.  We've seen Edvard Munch in Oslo at the old Munch Museum and the old National Gallery, but we've never been to the significant Munch collection at KODE in Bergen, collected during the painter's lifetime by the industrialist Rasmus Meyer. Eighteen works from the collection, dating from the 1880s and 1890s, will be on show at the Courtauld Gallery from May 27 to September 4 in Edvard Munch: Masterpieces from Bergen . Will this be as popular as the Van Gogh Self-Portraits show at the Courtauld, which finishes on May 8 but is completely sold out? A fre...

Glimmers from the Mists of Prehistory

There's stone, bone, bronze and, extraordinarily given that these objects are thousands of years old, a surprising amount of wood. But it's the gold that steals the show in  The World of Stonehenge at the British Museum in London.  Between 1900 and 1600 BC -- yes, almost 4000 years ago, and that's quite a concept to get your head round -- craftsmen were able to create this remarkable gold cape , which was uncovered by workmen in North Wales in 1833.  It's a stunning object in its own right, beautiful and mysterious. Imagine the sunlight glinting on it as the person who wore it -- and they must have been someone of great rank or status -- displayed it to.... whom? Worshippers, subjects? On some great day of celebration, presumably. On the other hand, the wearer would have been unable to move his or her upper arms....  Enormous skill and hard work went into its making, those patterns beaten out with only the most basic of tools. And consider the wealth it must have ta...