"Fire and water.... the one all heat, the other all humidity -- who will deny that they both exhibit, each in its own way, some of the highest qualities of Art?" That was the Literary Gazette 's verdict in 1831 on JMW Turner and John Constable, probably the most admired of all British landscape artists. Almost exact contemporaries whose work is being celebrated at Tate Britain in Turner & Constable: Rivals & Originals , a thoroughly engrossing exhibition that bathes you in the drama of Turner's golden sunlight, contrasted with perhaps the more understated charms of Constable's cloud-filled skies. "The Sun is God" are supposed to have been Turner's last words, and throughout this show you can't get away from his solar worship -- one striking watercolour records The Sun Rising over Water . And that's it, that's all there is, but to be frank, you don't really notice the water. It's the bright yellow Sun that holds your eye,...
The highest-profile opening in London this January? It might well be Francis Bacon: Man and Beast at the Royal Academy. Starting on January 29, this exhibition will focus on Bacon's fascination with animals, featuring pictures in which the boundaries between humans and animals are constantly blurred. Spanning his entire career, the show will include a trio of bullfight paintings never before exhibited together. If your New Year's resolution is to go vegetarian, this one may be a bit on the fleshy side. Until April 17. For something perhaps a bit less unsettling, head to Room 1 at the National Gallery to see Gainsborough's Blue Boy . Thomas Gainsborough's full-length canvas of a child was exhibited at the National for three weeks in 1922 before sailing across the Atlantic to the Huntington Library in California. It's a painting that's long had a hold on the imagination; it's been frequently referenced in Hollywood movies, and now it's being loaned out b...