"Silence is golden," according to the proverb, but the stillness in the paintings of Vilhelm Hammershøi is distinctly white, charcoal, and every shade of grey in between. However, there's nothing dull about the Dane's restricted palette, as we were able to appreciate, not for the first time, in Hammershøi: The Eye that Listens at the Museo Nacional Thyssen-Bornemisza in Madrid. His subject matter -- so often sparsely decorated rooms in which the doors, windows and light sources become focal points -- is mesmerising. This picture -- Sunbeams or Sunlight. Dust Motes Dancing in the Sunbeams. Strandgade 30 -- is so very typical. Apparently empty, lacking any subject matter -- just one wall of a room with a door, panelling and a window. Yet you are captivated by the illumination, and the space. Look how Hammershøi has depicted the light coming in through the window and on the frames round the panes. See how it casts a shadow on the jambs and follow th...
The highest-profile opening in London this January? It might well be Francis Bacon: Man and Beast at the Royal Academy. Starting on January 29, this exhibition will focus on Bacon's fascination with animals, featuring pictures in which the boundaries between humans and animals are constantly blurred. Spanning his entire career, the show will include a trio of bullfight paintings never before exhibited together. If your New Year's resolution is to go vegetarian, this one may be a bit on the fleshy side. Until April 17. For something perhaps a bit less unsettling, head to Room 1 at the National Gallery to see Gainsborough's Blue Boy . Thomas Gainsborough's full-length canvas of a child was exhibited at the National for three weeks in 1922 before sailing across the Atlantic to the Huntington Library in California. It's a painting that's long had a hold on the imagination; it's been frequently referenced in Hollywood movies, and now it's being loaned out b...