Terrible times: poverty and unemployment everywhere around; right-wing strongmen and populists in power overseas; and the shadow of war hanging over it all. Times for artists to take a stand. And, in the 1930s, some of them did, forming a group in London called the Artists International Association. Their story is the subject of Comrades in Art: Artists against Fascism at Towner Eastbourne, a show with a lot of very interesting art amid fascinating history -- but rather too much detail to absorb easily. There are many little-known or unknown names to conjure with, and it's a big exhibition; this is a venue where you never feel short-changed. Let's plunge straight into the action, because it's all kicking off in Trafalgar Square, where the police are going in violently against protesters who've arrived in London after a hunger march against unemployment. The Struggle between the Unemployed and the Police Forces (also known as Hunger Marchers Entering ...
October's another big month for new exhibitions, with Titian, Rembrandt and Goya among the artists on the agenda in mainland Europe. In London, though, the Royal Academy is staying British with a look at the final 12 years of the career of John Constable, from 1825 to 1837. Late Constable is characterised by expressive brushwork and features paintings and sketches of the British countryside and studies of the weather, in locations such as Hampstead Heath and Brighton seafront. On from October 30 to February 13. At the National Gallery, Poussin and the Dance is intended to show the French painter in a new light, illustrating how he tackled the challenges of capturing movement and bodily expression. Running from October 9 to January 2, it includes not only the Wallace Collection's A Dance to the Music of Time but also more than 20 paintings and drawings from public and private collections around Europe and the US. The show moves to the Getty Center in Los Angeles in Februar...