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Showing posts from September, 2021

Very Rich Hours in Chantilly

It is a once-in-a-lifetime experience: the chance to see one of the greatest -- and most fragile -- works of European art before your very eyes. The illustrated manuscript known as the  Très Riches Heures du Duc de Berry contains images that have shaped our view of the late Middle Ages, but it's normally kept under lock and key at the Château de Chantilly, north of Paris. It's only been exhibited twice in the past century. Now newly restored, the glowing pages of  Les Très Riches Heures du Duc de Berry are on show to the public for just a few months. "Approche, approche," the Duke of Berry's usher tells the visitors to the great man's table for the feast that will mark the start of the New Year. It's also your invitation to examine closely the illustration for January, one of the 12 months from the calendar in this Book of Hours -- a collection of prayers and other religious texts -- that form the centrepiece of this exhibition in Chantilly.  It's su...

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Opening and Closing in October

October's another big month for new exhibitions, with Titian, Rembrandt and Goya among the artists on the agenda in mainland Europe. In London, though, the Royal Academy is staying British with a look at the final 12 years of the career of John Constable, from 1825 to 1837. Late Constable is characterised by expressive brushwork and features paintings and sketches of the British countryside and studies of the weather, in locations such as Hampstead Heath and Brighton seafront. On from October 30 to February 13.  At the National Gallery, Poussin and the Dance is intended to show the French painter in a new light, illustrating how he tackled the challenges of capturing movement and bodily expression. Running from October 9 to January 2, it includes not only the Wallace Collection's A Dance to the Music of Time  but also more than 20 paintings and drawings from public and private collections around Europe and the US. The show moves to the Getty Center in Los Angeles in Februar...

Nero: Nasty or Nice?

Nero has had a bad press for 2000 years. Roman writers trashed his reputation as cruel and debauched after his early death, and as you enter Nero: The Man Behind the Myth at the British Museum in London, that impression is conveyed by a big blow-up shot of Peter Ustinov portraying the Roman Emperor in the 1951 movie Quo Vadis ,   looking more than a bit unhinged. (The curators, alas, don't reference the Christopher Biggins interpretation, neither from the 1970s BBC series I, Claudius  nor the  Heineken lager commercial .)  It wasn't like that at the beginning of his reign, though. The fifth Roman Emperor, Nero came to power in 54 AD aged just 16 amid high hopes of a new golden age for Rome following the death of the elderly Claudius. Official portraits emphasised his youth and vigour, with a simple, bold new hairstyle. The show takes you through Nero's story over the 14 years of his rule and leaves you to make up your own mind about his achievements -- seemingly qui...

Five Meet Up at the National Gallery

You've bought a new painting, but it's actually one of a set of five. Nice idea to borrow the other four for a few months so you can admire them all together, as they were originally meant to be seen. And let the public in for free. That's what the National Gallery in London has done to mark the acquisition of  The Fortress of Königstein from the North by Bernardo Bellotto. If you're in central London, take 20 minutes out of your day to transport yourself to 18th-century Saxony for Bellotto: The Königstein Views Reunited .  If you follow the River Elbe upstream from Dresden towards the Czech border, you'll eventually come to the fortress on the right-hand side. It's in an area known as Saxon Switzerland, not Swiss in the sense of towering mountain peaks, but distinguished rather by rocky outcrops such as the one the fortification sits on.  Bellotto (1722-80), the nephew of Canaletto, was court painter to August III, the Elector of Saxony, and painted around 30...