What a lot of new exhibitions this October! We list well over 20 across Europe below -- many more than usual -- and have still had to leave out quite a few that we'd mention in most other months in order to keep this post to a reasonable length. Let's start at the Royal Academy in London with deep blue seas, cloudless skies, intense light and the heat of the sun. From October 2 to January 31, you can experience the excitement Renoir, Cezanne, Matisse, Picasso and many others felt while Painting the French Riviera . The exhibition features more than 160 exhibits from the 1870s to the 1960s, and a version of the show travels on to the Cleveland Museum of Art in March. Hmm, Renoir. Now perhaps seen as the most chocolate-boxy of the Impressionists, but without doubt the creator of some of the most recognisable images in French art of the late 19th century. Well worth stealing , and clearly the National Gallery is on to a winner with its Renoir and Love ex...
It's a beguiling, entrancing landscape, yet somehow also very reassuring. The year is 1918, and John Nash is back in England after many months of service on the Western Front in World War I, one of the few survivors from his company. While working by day on paintings to commemorate the conflict as an official war artist, in the evening he's able to leave the memories of the slaughter behind to work for himself, on pictures that purged the horror of the trenches. This is The Cornfield , and it's probably the stand-out painting in a really outstanding exhibition at Towner Eastbourne, John Nash: The Landscapes of Love and Solace , the first retrospective devoted to the life and work of the artist, the less well-known younger brother of Paul Nash, in more than half a century. You can see in this painting a fascination with shapes, patterns and shadows that characterises the best of Nash's landscapes: the angular forms of the row of corn sheaves, their edges highlighted by t...