If you're thinking about seeing Wright of Derby: From the Shadows at the National Gallery in London, be warned: There's not a huge amount to this show. The gallery describes it as "the first major exhibition dedicated to the British artist’s 'candlelight' paintings". Major? There are actually only 10 of Joseph Wright's oil paintings in this smallish display, and while they certainly include some of his finest, it's not a lot for your money. Especially as the star attraction is An Experiment on a Bird in the Air Pump , Wright's masterpiece of 1768, which you can usually see for free just yards away in another room in the gallery, in rather less cramped circumstances. Without a shadow of a doubt, it's an astonishing painting, somehow encapsulating the 18th-century Enlightenment -- the advance of reason and science -- in one image. Whenever we're in the National Gallery we almost always stop by to look at it for a minute or two. There is...
It's a beguiling, entrancing landscape, yet somehow also very reassuring. The year is 1918, and John Nash is back in England after many months of service on the Western Front in World War I, one of the few survivors from his company. While working by day on paintings to commemorate the conflict as an official war artist, in the evening he's able to leave the memories of the slaughter behind to work for himself, on pictures that purged the horror of the trenches. This is The Cornfield , and it's probably the stand-out painting in a really outstanding exhibition at Towner Eastbourne, John Nash: The Landscapes of Love and Solace , the first retrospective devoted to the life and work of the artist, the less well-known younger brother of Paul Nash, in more than half a century. You can see in this painting a fascination with shapes, patterns and shadows that characterises the best of Nash's landscapes: the angular forms of the row of corn sheaves, their edges highlighted by t...