It's surely an anniversary the Tate has long been counting down to: JMW Turner was born in 1775, John Constable in 1776. To mark the 250 years of two of the country's greatest painters, Turner and Constable is on at Tate Britain from November 27 to April 12. Rivals with very different approaches to landscape painting, they were both hugely influential. More than 170 works are promised, with Turner's Burning of the Houses of Lords and Commons and Constable's White Horse coming home from the US for the show. Before those two were even born, Joseph Wright of Derby had already painted his most famous picture, An Experiment on a Bird in the Air Pump . It'll be part of Wright of Derby: From the Shadows at the National Gallery from November 7 to May 10, which is intended to challenge the view of Wright as just a painter of light and shade and to illustrate how he used the night to explore deeper and more sombre themes. Only 20 or so works, however, making it a disappo...
It's a beguiling, entrancing landscape, yet somehow also very reassuring. The year is 1918, and John Nash is back in England after many months of service on the Western Front in World War I, one of the few survivors from his company. While working by day on paintings to commemorate the conflict as an official war artist, in the evening he's able to leave the memories of the slaughter behind to work for himself, on pictures that purged the horror of the trenches. This is The Cornfield , and it's probably the stand-out painting in a really outstanding exhibition at Towner Eastbourne, John Nash: The Landscapes of Love and Solace , the first retrospective devoted to the life and work of the artist, the less well-known younger brother of Paul Nash, in more than half a century. You can see in this painting a fascination with shapes, patterns and shadows that characterises the best of Nash's landscapes: the angular forms of the row of corn sheaves, their edges highlighted by t...