For centuries, landscape was usually seen as a backdrop in history or religious paintings, but British Landscapes: A Sense of Place at the Pallant House Gallery in Chichester shows how it evolved as a genre in its own right. And in particular, how artists in the 18th, 19th and 20th centuries were not just reproducing a scene before their eyes but trying to convey in their pictures the emotions and feelings evoked by the land and countryside: the sense of the place, as Pallant Director Simon Martin, who c urated this exhibition, aptly describes it. The show's not on for much longer, but here's a few of our impressions, and let's start with a painting that's a fine example of how an artist puts current events and concerns on canvas. It was December 1916 when Mark Gertler painted this view of the South Coast Near Swanage . It looks so peaceful, the sea is smooth, the distant cliffs of the headland appear soft and even the nearby greenery is out of focus. But W...
Swiss-born Sophie Taeuber-Arp (1889-1943) was one of the leading abstract artists and designers of the early 20th century, working across a wide range of media from textiles through puppetry and painting, but she's never had a retrospective in the UK. That changes on July 15, when Tate Modern in London opens an exhibition that brings together her most important works from across Europe and the US, many of which have not been on display in Britain before. The show comes direct from the Kunstmuseum in Basel and is at the Tate until October 17, after which it moves on to MoMA in New York. If you're looking for something more cuddly than Germanic abstraction, you should head to the British Library for Paddington: The Story of a Bear , a family-friendly exhibition uncovering the inspiration behind the star of Michael Bond's classic children's books. There are first editions and original artwork for the grown-ups, and a marmalade trail to follow for the younger visitors. F...