Self-portraits; now, we've seen quite a lot of exhibitions of those over the years. You know how Rembrandt or Vincent van Gogh saw themselves. But how do artists depict other artists? What happens when Peter Blake meets David Hockney, when Eric Ravilious takes on Edward Bawden? Answers can be found at the Pallant House Gallery in Chichester in a very interesting and illuminating exhibition entitled Seeing Each Other: Portraits of Artists . And sometimes the artist you see is a different artist from the one you might be expecting. When Mary McCartney photographed Tracey Emin in 2000, what came out was Frida Kahlo. McCartney felt a close affinity with the Mexican artist, and so did Emin, whose controversial My Bed had just been shortlisted for the Turner Prize. McCartney said she'd had a daydream of Emin as Kahlo, who spent a lot of time in bed herself as a result of her disabling injuries. Emin was made up and dressed for the shoot, and then, according to McCartney , "...
There's been a spate of exhibitions over the past few years aimed at redressing centuries of neglect of the work of women artists, and the Italian Baroque painter Artemisia Gentileschi is the latest to come into focus, at the National Gallery in London, starting on October 3. Most of the works have never been seen in Britain before, and they cover a lengthy career that features strong female figures in Biblical and classical scenes, as well as self-portraits. Until January 24. Also starting at the National on October 7 is a free exhibition that looks at Sin , as depicted by artists from Diego Velázquez and William Hogarth through to Tracey Emin, blurring the boundaries between the religious and the secular. This one runs until January 3. Tate Britain shows this winter how JMW Turner embraced the rapid industrial and technological advances at the start of the 19th century and recorded them in his work. Turner's Modern World , starting on October 28, will inclu...