Skip to main content

Posts

Showing posts from August, 2020

Let There Be Light

Right at the northern tip of Denmark, where two seas meet under endless skies: Skagen, a fishing village that developed into a late 19th-century artists' colony. One of those artists was actually from Skagen; her parents ran Brøndum's Hotel in the village. Anna Brøndum went on to become Denmark's most famous woman painter: Anna Ancher.  You won't find any paintings by her in any public collection in Britain (we know, we've used that line before when writing about several other artists), and, rather oddly, she doesn't even get a mention in Katy Hessel's  The Story of Art without Men . The illumination you need is provided at the Dulwich Picture Gallery in south-east London, in  Anna Ancher: Painting Light . She had a way with light, coming in through windows and casting shadows on walls, reflecting on the sea, breaking through the trees in her garden. These are generally very intimate, understated pictures, yet sometimes quite breathtaking.   Virtually all th...

Subscribe to updates

Opening in September

We're going to start our September preview in Paris, where an absolute stunner of an exhibition is set to open belatedly at the Petit Palais: The Golden Age of Danish Painting . That Golden Age lasted for just over 60 years from the start of the 19th century when artists such as Christen Købke expressed a growing national pride in works of precision and clarity tinged with romanticism. We got to see this fabulous show early last year at the National Museum in Stockholm. It's on in Paris from September 22 to January 3, and if you get the chance to go, don't hesitate. A few minutes walk away, at the Musée de l'Orangerie,  Giorgio de Chirico: Metaphysical Painting opens on September 16. De Chirico's enigmatic art from the first two decades of the 20th century draws on the German Romantics and prefigures the Surrealists. After it closes on December 14 it will transfer to the Kunsthalle in Hamburg early next year. If you head down the Seine from Paris to the Musé...

The Artist Who Was Everywhere

If you lived in Britain, particularly in London, during the middle of the 20th century, Barnett Freedman was all around you. As the go-to commercial artist during a period spanning the 30s to the 50s, his work was all over the Tube and London buses, on advertising, stamps and book tokens, as well as adorning the covers of collectable books and providing their illustrations. It's a career that's celebrated, more than six decades after Freedman's death, in a hugely enjoyable exhibition, Barnett Freedman: Designs for Modern Britain , at the Pallant House Gallery in Chichester, which has just reopened after months of coronavirus-induced closure. The Pallant is our local art gallery, and its director, Simon Martin, said he didn't want to "sanitise the experience" of museum-going on reopening. So, while visitor numbers are limited and timed tickets are compulsory, we were pleased that once you got inside, there's actually very little that you would notice tha...