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Showing posts from August, 2020

Four Scotsmen Walk into an Art Gallery....

France had the Impressionists, Germany had the Expressionists, and Italy had the Futurists, but Scotland -- well, Scotland had the Colourists. Four of them, to be precise, creating quite distinctive, often very exuberant art in the first few decades of the 20th century, and you can see them right now in  Scottish Colourists: Radical Perspectives  at The Arc in Winchester.  We've featured the Colourists on this blog before , but you don't get the chance to see them in southern England that much, and this Winchester show (previously on at Dovecot Studios in Edinburgh) places them in context with some of their British and European contemporaries, some of whose work carries quite an impact. All in all, it's a very enjoyable exhibition.  The Colourists were JD Fergusson, SJ Peploe, FCB Cadell and Leslie Hunter. All influenced by developments in Post-Impressionist French art, and notably by the bold use of colour and line of the Fauvists , they didn't actually exhibit tog...

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Opening in September

We're going to start our September preview in Paris, where an absolute stunner of an exhibition is set to open belatedly at the Petit Palais: The Golden Age of Danish Painting . That Golden Age lasted for just over 60 years from the start of the 19th century when artists such as Christen Købke expressed a growing national pride in works of precision and clarity tinged with romanticism. We got to see this fabulous show early last year at the National Museum in Stockholm. It's on in Paris from September 22 to January 3, and if you get the chance to go, don't hesitate. A few minutes walk away, at the Musée de l'Orangerie,  Giorgio de Chirico: Metaphysical Painting opens on September 16. De Chirico's enigmatic art from the first two decades of the 20th century draws on the German Romantics and prefigures the Surrealists. After it closes on December 14 it will transfer to the Kunsthalle in Hamburg early next year. If you head down the Seine from Paris to the Musé...

The Artist Who Was Everywhere

If you lived in Britain, particularly in London, during the middle of the 20th century, Barnett Freedman was all around you. As the go-to commercial artist during a period spanning the 30s to the 50s, his work was all over the Tube and London buses, on advertising, stamps and book tokens, as well as adorning the covers of collectable books and providing their illustrations. It's a career that's celebrated, more than six decades after Freedman's death, in a hugely enjoyable exhibition, Barnett Freedman: Designs for Modern Britain , at the Pallant House Gallery in Chichester, which has just reopened after months of coronavirus-induced closure. The Pallant is our local art gallery, and its director, Simon Martin, said he didn't want to "sanitise the experience" of museum-going on reopening. So, while visitor numbers are limited and timed tickets are compulsory, we were pleased that once you got inside, there's actually very little that you would notice tha...