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Showing posts from August, 2020

Opening and Closing in July

A very eclectic mix of shows this month, and we're starting with an exhibition that's not art at all, but of vital interest to everyone. The Science Museum is investigating the Future of Food , looking at new advances in growing, making, cooking and eating it. On from July 24 to January 4, it's free, though you need to book. Oh, and you get to see this 3,500-year-old sourdough loaf..... At the Lowry in Salford, they're offering a double bill of Quentin Blake and Me & Modern Life: The LS Lowry Collection . The show about Blake, who's written or illustrated more than 500 books, looks aimed at a family audience, while the Lowry exhibition includes borrowed works, marking the Salford arts centre's 25th anniversary. On from July 19 to January 4, and entry is again free, though you need to book a timeslot.  Another anniversary this year is the 250th of the birth of Jane Austen; among the exhibitions around the country is one in Winchester, the city where she died ...

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Opening in September

We're going to start our September preview in Paris, where an absolute stunner of an exhibition is set to open belatedly at the Petit Palais: The Golden Age of Danish Painting . That Golden Age lasted for just over 60 years from the start of the 19th century when artists such as Christen Købke expressed a growing national pride in works of precision and clarity tinged with romanticism. We got to see this fabulous show early last year at the National Museum in Stockholm. It's on in Paris from September 22 to January 3, and if you get the chance to go, don't hesitate. A few minutes walk away, at the Musée de l'Orangerie,  Giorgio de Chirico: Metaphysical Painting opens on September 16. De Chirico's enigmatic art from the first two decades of the 20th century draws on the German Romantics and prefigures the Surrealists. After it closes on December 14 it will transfer to the Kunsthalle in Hamburg early next year. If you head down the Seine from Paris to the Musé...

The Artist Who Was Everywhere

If you lived in Britain, particularly in London, during the middle of the 20th century, Barnett Freedman was all around you. As the go-to commercial artist during a period spanning the 30s to the 50s, his work was all over the Tube and London buses, on advertising, stamps and book tokens, as well as adorning the covers of collectable books and providing their illustrations. It's a career that's celebrated, more than six decades after Freedman's death, in a hugely enjoyable exhibition, Barnett Freedman: Designs for Modern Britain , at the Pallant House Gallery in Chichester, which has just reopened after months of coronavirus-induced closure. The Pallant is our local art gallery, and its director, Simon Martin, said he didn't want to "sanitise the experience" of museum-going on reopening. So, while visitor numbers are limited and timed tickets are compulsory, we were pleased that once you got inside, there's actually very little that you would notice tha...