An exhibition devoted to one artist can be very satisfying: not only do you get to know them and what made them tick, how they developed and changed, but often you also have a history lesson. And all the pictures too. We've been to just such a solo show in Switzerland, and just like Swiss trains, it all worked beautifully. The artist: Félix Vallotton. Vallotton Forever: The Retrospective at the Musée cantonal des Beaux-Arts in Lausanne, the city of his birth in 1865, is the culmination of a year of Swiss events to mark the 100th anniversary of his death in 1925. It's an absolutely massive show, bringing together about 250 works from public and private collections. But Vallotton's output was so varied, exploring so many different artistic avenues, that it's a constant voyage of discovery. So where to start? Perhaps in the mid-1890s, when Vallotton, who'd moved to the bright lights of Paris when he was just 16, joined the Nabis , the group of Post-Impressionists ar...
The Royal Academy's Summer Exhibition this year is a little bit special: It's the 250th, and Grayson Perry heads the committee that's picked the 1,200 or so art works on show from June 12 to August 19. Concurrently, the RA is putting on The Great Spectacle: 250 Years of the Summer Exhibition telling the story from Joshua Reynolds to the present day. There are two linked shows at the National Gallery as well, running from June 11 to October 7. Thomas Cole: Eden to Empire is the first exhibition in the UK devoted to the British-born American landscape artist inspired by Turner and Constable (tickets can be had for less than £10 on weekdays, so the National is clearly not expecting Monet-size crowds.) At the same time, there's a free display with Ed Ruscha 's modern take on Thomas Cole's work in Room 1. Tate Britain marks the centenary of the end of World War I by examining the immediate impact on British, French and German art. Aftermath , running from ...