No one before had ever painted horses like George Stubbs. Not only did they look incredibly lifelike, he seemed able to capture their individual character -- a talent that ensured he could command extremely high prices for his work from wealthy and influential patrons. There's now a rare chance to appreciate the only one of the painter's outstanding lifesize equine canvases still in private hands in a small free exhibition, Stubbs: Portrait of a Horse , in Room 1 at the National Gallery in London. This is Scrub, eight times a race winner, who like the gallery's Whistlejacket belonged to one of those rich patrons, the Marquess of Rockingham, and he commissioned both pictures in about 1762. Scrub, again like Whistlejacket, was depicted not just as a racehorse, under the control of a jockey or stable boy, but in a grand manner, intended to serve as the steed in an equine portrait of George III, who had recently come to the throne. Other specialist painters would be u...
The Royal Academy's Summer Exhibition this year is a little bit special: It's the 250th, and Grayson Perry heads the committee that's picked the 1,200 or so art works on show from June 12 to August 19. Concurrently, the RA is putting on The Great Spectacle: 250 Years of the Summer Exhibition telling the story from Joshua Reynolds to the present day. There are two linked shows at the National Gallery as well, running from June 11 to October 7. Thomas Cole: Eden to Empire is the first exhibition in the UK devoted to the British-born American landscape artist inspired by Turner and Constable (tickets can be had for less than £10 on weekdays, so the National is clearly not expecting Monet-size crowds.) At the same time, there's a free display with Ed Ruscha 's modern take on Thomas Cole's work in Room 1. Tate Britain marks the centenary of the end of World War I by examining the immediate impact on British, French and German art. Aftermath , running from ...