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Showing posts from May, 2018

New Exhibitions in June

Frida Kahlo: Now, there's a name to be reckoned with. More than just a painter, a global phenomenon, a superstar who died too young. And so coming to Tate Modern on June 25 we have  Frida: The Making of an Icon , surely set to be one of the most in-demand tickets in London this year. It's not so much a show about Frida, though, as about the cult of Frida: More than 30 of her works are accompanied by some 200 by contemporaries and those from later generations whom she inspired, and then there are over 200 objects exploring "Fridamania". The show had good reviews when it was on at the Museum of Fine Arts in Houston, and you've got until January 3 to catch it at the Tate.  While we're on the subject of mid 20th-century female icons whose candle burned out long before their legend ever did....  Marilyn Monroe: A Portrait  starts at the National Portrait Gallery on June 4. The Hollywood star would have been 100 years old this year, and this show, running until Sept...
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Opening in June

The Royal Academy's Summer Exhibition  this year is a little bit special: It's the 250th, and Grayson Perry heads the committee that's picked the 1,200 or so art works on show from June 12 to August 19. Concurrently, the RA is putting on The Great Spectacle: 250 Years of the Summer Exhibition telling the story from Joshua Reynolds to the present day. There are two linked shows at the National Gallery as well, running from June 11 to October 7. Thomas Cole: Eden to Empire  is the first exhibition in the UK devoted to the British-born American landscape artist inspired by Turner and Constable (tickets can be had for less than £10 on weekdays, so the National is clearly not expecting Monet-size crowds.) At the same time, there's a free display with Ed Ruscha 's modern take on Thomas Cole's work in Room 1. Tate Britain marks the centenary of the end of World War I by examining the immediate impact on British, French and German art.  Aftermath , running from ...
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Monet -- Battle the Crowds to Get to Rouen Cathedral

There's no getting away from it: Monet & Architecture at London's National Gallery is a crowded exhibition. The first couple of rooms in particular are a bit of a slog as you try to manoeuvre your way along what is essentially a queue of people looking at the earliest (and to be honest, largely least interesting) of the 70-odd works. But stick with it: You'll eventually come to Rouen Cathedral and to Venice, and thankfully, and rather surprisingly, there's less of a crush to view the momentous art capturing gradations of light and weather on magnificent buildings that you've probably really come to see. It's often a bit of a problem with the National Gallery's subterranean Sainsbury Wing exhibition space: Some of the rooms are quite small, and here they're fairly densely hung, at least initially. This show, the gallery says, presents a new way of looking at Monet's art, demonstrating how he used architecture to create his compositions. It ma...
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