There are some familiar names and familiar paintings in Art Then! British Painting, Sculpture and Drawing, 1910-1960 at Southampton City Art Gallery, but it's the unfamiliar that makes it especially worth the trip to a venue you might not normally consider for an exhibition. This show provides an excellent overview of art trends in this country in the first half of the 20th century. And it's free! Southampton has a very good collection, but we often get the feeling that a lot of interesting works are in store behind closed doors. Pleasant surprises await when they finally see the light of the day, in this case in combination with a selection from the extensive Ingram Collection of modern British art. In all, there are more than 100 works by over 100 artists, demonstrating how the British reacted to the latest developments in art on the Continent. So let's start with a couple of hidden gems from the Southampton treasure trove, first of all a Landscape that really stoppe...
Cleopatra, David and Goliath, Judith and Holofernes. Drama, emotion, colour. Agony and ecstasy. It's all there in Artemisia: Heroine of Art at the Musée Jacquemart-André in Paris. Except they haven't got the space to do it justice. Because if we're going back in art herstory, there's really no bigger name than Artemisia Gentileschi. This heroine of art draws big crowds, and her often quite sizeable canvases deserve a large stage on which to be properly appreciated. But there's next to no space in the Musée Jacquemart-André, which has some of the most cramped and crowded exhibition rooms we've been to anywhere in Europe. It's a bit like watching City play United -- or perhaps in this case Roma against Napoli -- in your back garden. But that's enough whinging about the venue -- for a paragraph or two, at least -- because the art is spectacular. Artemisia Gentileschi was a prodigy, creating masterful -- mistressful? -- canvases at quite a young age. In a...