August is always one of the quietest months for new exhibitions, and this year is no different, but we do have one big event to alert you to, as well as two splendid shows that only have weeks to run. The one major opening is Gwen John: Strange Beauties at the National Galleries of Scotland in Edinburgh. Running from August 1 to January 4, this is a comprehensive retrospective of the work of the woman perhaps now seen as Wales's most significant artist, born 150 years ago this year. Maybe a little too comprehensive, according to some of the reviews of the show when it was on at the National Museum in Cardiff. The exhibition goes on to the Yale Center for British Art in New Haven, Connecticut, in February and then at the end of July next year to the National Museum of Women in the Arts in Washington DC. We saw a rather smaller Gwen John exhibition in Chichester in 2023. Last chance to see.... Ending on August 23 is the exhibition at the Lakenhal in Leiden ...
Think of Delft, and you think, inevitably, of one artist: Johannes Vermeer . But in the middle of the 17th century, Vermeer wasn't the only painter from this city in southern Holland set for a particular place in art history. Vermeer's enigmatic genre scenes are incomparable, but one of his fellow members of the Delft artists' guild was to produce some of the most characteristic pictures of the Dutch Golden Age: images of domesticity that almost sum up the period. His name was Pieter de Hooch, and this autumn and winter he's getting the attention he deserves in a show at the Museum Prinsenhof in Delft. We have to admit to a bias towards Golden Age painting, but Pieter de Hooch in Delft: From the Shadow of Vermeer is the best exhibition we've seen in 2019. It's not big, but it's beautifully put together and incredibly informative. And astonishingly, this is the first time de Hooch has ever had an exhibition devoted to him in the Netherlands. ...