August is always one of the quietest months for new exhibitions, and this year is no different, but we do have one big event to alert you to, as well as two splendid shows that only have weeks to run. The one major opening is Gwen John: Strange Beauties at the National Galleries of Scotland in Edinburgh. Running from August 1 to January 4, this is a comprehensive retrospective of the work of the woman perhaps now seen as Wales's most significant artist, born 150 years ago this year. Maybe a little too comprehensive, according to some of the reviews of the show when it was on at the National Museum in Cardiff. The exhibition goes on to the Yale Center for British Art in New Haven, Connecticut, in February and then at the end of July next year to the National Museum of Women in the Arts in Washington DC. We saw a rather smaller Gwen John exhibition in Chichester in 2023. Last chance to see.... Ending on August 23 is the exhibition at the Lakenhal in Leiden ...
A couple of weeks ago, we found ourselves getting increasingly exasperated by a late Victorian painting superstar, Edward Burne-Jones , in a show at Tate Britain that was full of knights in shining armour and damsels in distress. But British art was getting more modern. In the 1870s, James McNeill Whistler was already "flinging a pot of paint in the public's face." And then a couple of years later, William Stott of Oldham came along. William Stott? Not exactly a household name, but he did paint one rather influential picture that's seen as key in the move to Impressionism and naturalism in British art in the 1880s. It's called Le Passeur (The Ferryman) , and it was bought by the Tate last year for £1.5 million. This beautiful work is now touring the country, and it's currently at Southampton City Art Gallery in a small but very well done (and free) exhibition called Beneath the Surface . It's well worth seeing. Confusingly, there seem to have been th...