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Showing posts from September, 2025

The Fabric of Faith

We must confess that religious paintings are not our favourite subject, and we've tended to regard Spanish Catholic art as being, well, just a little too religious to cope with. So we approached the Francisco de  Zurbarán  exhibition at the National Gallery in London with a certain amount of trepidation. A degree of contrition is due.... Yes, there were monks, altarpieces and lots of saints, but we were blown away by Zurbarán's ability to depict textures and fabrics and to convey an intensity of feeling.  It's an absolutely excellent exhibition, full of truly beautiful paintings. Such religious art was intended to bring the faithful closer to God, to bridge the gap between Heaven and Earth, in an age when many could not read. Zurbarán was a master at it. Let's start with a saint: Just take a look at the fabrics, trimmings and gems in this picture. And the garments are even more striking when you are stood in front of this nearly life-size figure.  This is Casild...

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New Exhibitions in October

We've got rather more modern and contemporary art than usual in our preview this month, starting with the first ever museum show in the UK of Wayne Thiebaud, the US artist who died in 2021 at the age of 101. Thiebaud made his name in the 1960s painting quintessentially American subjects -- pinball machines, hot dogs, deli counters and cakes -- in vibrant colours.  Wayne Thiebaud: American Still Life  is on at London's Courtauld Gallery from October 10 to January 18.  Those sweet treats should provide enough sustenance for the short walk across Waterloo Bridge to the Hayward Gallery for  Gilbert & George: 21st-Century Pictures . This show highlights work the besuited pair have created since the start of the millennium, tackling themes such as sex, corruption, religion and death. On from October 7 to January 11, and it's perhaps one to miss if you're likely to be easily offended.  A rather different experience awaits at the British Library, in the form of...

Very Rich Hours in Chantilly

It is a once-in-a-lifetime experience: the chance to see one of the greatest -- and most fragile -- works of European art before your very eyes. The illustrated manuscript known as the  Très Riches Heures du Duc de Berry contains images that have shaped our view of the late Middle Ages, but it's normally kept under lock and key at the Château de Chantilly, north of Paris. It's only been exhibited twice in the past century. Now newly restored, the glowing pages of  Les Très Riches Heures du Duc de Berry are on show to the public for just a few months. "Approche, approche," the Duke of Berry's usher tells the visitors to the great man's table for the feast that will mark the start of the New Year. It's also your invitation to examine closely the illustration for January, one of the 12 months from the calendar in this Book of Hours -- a collection of prayers and other religious texts -- that form the centrepiece of this exhibition in Chantilly.  It's su...