We must confess that religious paintings are not our favourite subject, and we've tended to regard Spanish Catholic art as being, well, just a little too religious to cope with. So we approached the Francisco de Zurbarán exhibition at the National Gallery in London with a certain amount of trepidation. A degree of contrition is due.... Yes, there were monks, altarpieces and lots of saints, but we were blown away by Zurbarán's ability to depict textures and fabrics and to convey an intensity of feeling. It's an absolutely excellent exhibition, full of truly beautiful paintings. Such religious art was intended to bring the faithful closer to God, to bridge the gap between Heaven and Earth, in an age when many could not read. Zurbarán was a master at it. Let's start with a saint: Just take a look at the fabrics, trimmings and gems in this picture. And the garments are even more striking when you are stood in front of this nearly life-size figure. This is Casild...
London's Courtauld Gallery has just reopened after renovation, and its first big exhibition, Van Gogh: Self-Portraits , starts on February 3. This show -- the first to cover the full range of Vincent van Gogh's self-portraiture -- will bring together around half those he created over his short career: 16 of them, from his time in Paris in 1886 to his stay in the asylum in Saint-Rémy-de-Provence in September 1889. It runs until May 8. At Tate Modern they're tackling another popular subject, surrealism, in the shape of Surrealism beyond Borders , which starts on February 24. The Tate says previous stories of surrealism have focused on Paris in the 20s -- not in our exhibition-going experience -- and that this one will rewrite the history of the genre, reaching across 50 years and looking at art in centres from Buenos Aires to Seoul. This show comes from the Met in New York; the New Yorker called it "deliriously entertaining", though the Wall Street Journal sai...