August is always one of the quietest months for new exhibitions, and this year is no different, but we do have one big event to alert you to, as well as two splendid shows that only have weeks to run. The one major opening is Gwen John: Strange Beauties at the National Galleries of Scotland in Edinburgh. Running from August 1 to January 4, this is a comprehensive retrospective of the work of the woman perhaps now seen as Wales's most significant artist, born 150 years ago this year. Maybe a little too comprehensive, according to some of the reviews of the show when it was on at the National Museum in Cardiff. The exhibition goes on to the Yale Center for British Art in New Haven, Connecticut, in February and then at the end of July next year to the National Museum of Women in the Arts in Washington DC. We saw a rather smaller Gwen John exhibition in Chichester in 2023. Last chance to see.... Ending on August 23 is the exhibition at the Lakenhal in Leiden ...
There's been a recent flurry of exhibitions in London and elsewhere about the Russian revolution and Soviet art and design, but Russian art before 1900 isn't very well known in the West. So we seized the opportunity on a trip to Oslo this month to take in The Swan Princess at the Munch Museum, a show devoted to Russian art from 1880 to 1910 and mostly drawn from the Tretyakov Gallery in Moscow. It was a period when Nordic artists were looking to the past, to rural culture and to traditional myths and legends for inspiration. The Russians were doing something similar, many of them working from the artists' colony at Abramtsevo near Moscow. This show takes its title from one of the most famous artworks of the period. The Swan Princess by Mikhail Vrubel is drawn from a story by Pushkin, which was turned into an opera by Rimsky-Korsakov, and here is the swan transforming magically into a beautiful princess. It's a swirl of whites and greys with highlights in pink, to...