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Showing posts from August, 2024

'Too Bold to Have Been Painted by a Woman'

So the question to ask about the  Michaelina Wautier  exhibition at the Royal Academy in London must be: Is the hype about this recently rediscovered 17th-century woman painter justified? The answer: Yes, absolutely.  She really does merit acknowledgement -- and not just because we recognise a woman working in a man's world. Her art shows she was extremely talented, producing superb canvases covering a diverse range of subject matter. What's more, she painted very large pictures featuring male nudes, such as Bacchus, despite her contemporaries thinking that was not the sort of thing a female artist could do. And her portraits are wonderfully lively and lifelike. This is Martino Martini, an Italian Jesuit missionary who travelled to China in the 1640s. It was painted in 1654, when Michaelina was around 40. Martini, who was staying at the Jesuit College in Brussels, is depicted wearing traditional Chinese silk court attire and a hat of fur and feathers. A rather substantial...

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Opening and Closing in September

Are you ready? London's National Gallery says you're going to "be blown away by Van Gogh's most spectacular paintings in our once-in-a-century exhibition", Van Gogh: Poets and Lovers , which is on from September 14 to January 19. The show brings together "your most loved of Van Gogh’s paintings from across the globe, some of which are rarely seen in public," according to the museum. Given Vincent's prolific output and the plethora of Van Gogh shows, such hype may be a little overblown. Note that tickets are already selling well, and standard admission costs £28 before Gift Aid.  Still, the Van Gogh show may provide more bang for your buck than Monet and London -- Views of the Thames in the rather small exhibition space of the Courtauld Gallery (for which standard tickets are £16). Claude Monet stayed in London three times from 1899 to 1901, painting the Houses of Parliament, Charing Cross Bridge and Waterloo Bridge. He showed the pictures in Paris, ...

Beyond the Cherry Blossom

You can go to any number of exhibitions of late 19th-century Western artists -- Whistler , van Gogh , Vuillard  to name just three -- and see how their work was significantly influenced by Japanese prints, which presented a radically different way of looking at things from a country that had just opened up to the outside world. But don't imagine that the traffic was only one-way.  Japanese artists came West, and you can see some of the results of the fusion in  Yoshida: Three Generations of Japanese Printmaking at Dulwich Picture Gallery in south-east London.   The story starts in 1900, when Hiroshi Yoshida and a fellow Japanese artist were in London during a lengthy tour of America and Europe. The first time they attempted to visit the Dulwich gallery, on May 24, a policeman told them it didn't exist. They finally made it at their third attempt five days later, though Hiroshi had to leave his camera at the entrance, and their names are recorded in the visitor'...