We must confess that religious paintings are not our favourite subject, and we've tended to regard Spanish Catholic art as being, well, just a little too religious to cope with. So we approached the Francisco de Zurbarán exhibition at the National Gallery in London with a certain amount of trepidation. A degree of contrition is due.... Yes, there were monks, altarpieces and lots of saints, but we were blown away by Zurbarán's ability to depict textures and fabrics and to convey an intensity of feeling. It's an absolutely excellent exhibition, full of truly beautiful paintings. Such religious art was intended to bring the faithful closer to God, to bridge the gap between Heaven and Earth, in an age when many could not read. Zurbarán was a master at it. Let's start with a saint: Just take a look at the fabrics, trimmings and gems in this picture. And the garments are even more striking when you are stood in front of this nearly life-size figure. This is Casild...
Terrible times: poverty and unemployment everywhere around; right-wing strongmen and populists in power overseas; and the shadow of war hanging over it all. Times for artists to take a stand. And, in the 1930s, some of them did, forming a group in London called the Artists International Association. Their story is the subject of Comrades in Art: Artists against Fascism at Towner Eastbourne, a show with a lot of very interesting art amid fascinating history -- but rather too much detail to absorb easily. There are many little-known or unknown names to conjure with, and it's a big exhibition; this is a venue where you never feel short-changed. Let's plunge straight into the action, because it's all kicking off in Trafalgar Square, where the police are going in violently against protesters who've arrived in London after a hunger march against unemployment. The Struggle between the Unemployed and the Police Forces (also known as Hunger Marchers Entering ...