How was it that all but a few women artists became excised from art history? It wasn't as if there weren't plenty of them around, making stunning paintings, and lots of money, particularly in the Low Countries in the 17th and 18th century. Art history is of course now being rewritten, to rescue the forgotten from oblivion. To find out what happened and how the record is being put right, you should go to Ghent to see Unforgettable: Women Artists from Antwerp to Amsterdam, 1600-1750 at the Museum of Fine Arts. Michaelina Wautier is a case in point: a woman who could compete on her own terms with the Baroque masters of the southern Netherlands, but whose work was disregarded or attributed to men until the last couple of decades. Wautier may well be the biggest rediscovery among forgotten women painters in recent years -- she's got an exhibition of her own on now at the Royal Academy in London -- and one of her pictures is among the stand-out works at this show in the heart ...
She was a highly successful artist in 17th-century Brussels, creating the sort of paintings you might have seen from Rubens or Van Dyck, but then she vanished from art history. It's only very recently she's been rescued from obscurity, her pictures rightfully reattributed. Michaelina Wautier comes to the Royal Academy in London on March 27 from the Kunsthistorisches Museum in Vienna, offering the first opportunity to encounter her work on a large scale. On till June 21. And while we're on the theme of new discoveries, we've made quite a few at the Dulwich Picture Gallery down the years. The latest arrival there is a completely unknown name to us, from the Baltic: Konrad Mägi (1878-1925), described as a pioneer of Estonian modernism. More than 60 of his works are being shown in the UK for the first time in an exhibition that runs from March 24 to July 12. No introduction is needed for David Hockney, and he's taking over the Serpentine Gallery on March ...