How was it that all but a few women artists became excised from art history? It wasn't as if there weren't plenty of them around, making stunning paintings, and lots of money, particularly in the Low Countries in the 17th and 18th century. Art history is of course now being rewritten, to rescue the forgotten from oblivion. To find out what happened and how the record is being put right, you should go to Ghent to see Unforgettable: Women Artists from Antwerp to Amsterdam, 1600-1750 at the Museum of Fine Arts. Michaelina Wautier is a case in point: a woman who could compete on her own terms with the Baroque masters of the southern Netherlands, but whose work was disregarded or attributed to men until the last couple of decades. Wautier may well be the biggest rediscovery among forgotten women painters in recent years -- she's got an exhibition of her own on now at the Royal Academy in London -- and one of her pictures is among the stand-out works at this show in the heart ...
If you're thinking about seeing Wright of Derby: From the Shadows at the National Gallery in London, be warned: There's not a huge amount to this show. The gallery describes it as "the first major exhibition dedicated to the British artist’s 'candlelight' paintings". Major? There are actually only 10 of Joseph Wright's oil paintings in this smallish display, and while they certainly include some of his finest, it's not a lot for your money. Especially as the star attraction is An Experiment on a Bird in the Air Pump , Wright's masterpiece of 1768, which you can usually see for free just yards away in another room in the gallery, in rather less cramped circumstances. Without a shadow of a doubt, it's an astonishing painting, somehow encapsulating the 18th-century Enlightenment -- the advance of reason and science -- in one image. Whenever we're in the National Gallery we almost always stop by to look at it for a minute or two. There is...