There are some familiar names and familiar paintings in Art Then! British Painting, Sculpture and Drawing, 1910-1960 at Southampton City Art Gallery, but it's the unfamiliar that makes it especially worth the trip to a venue you might not normally consider for an exhibition. This show provides an excellent overview of art trends in this country in the first half of the 20th century. And it's free! Southampton has a very good collection, but we often get the feeling that a lot of interesting works are in store behind closed doors. Pleasant surprises await when they finally see the light of the day, in this case in combination with a selection from the extensive Ingram Collection of modern British art. In all, there are more than 100 works by over 100 artists, demonstrating how the British reacted to the latest developments in art on the Continent. So let's start with a couple of hidden gems from the Southampton treasure trove, first of all a Landscape that really stoppe...
Vuillard, Cézanne, Van Gogh, Hammershøi: The British painter Harold Gilman seems to have to sucked up a whole range of continental European artistic influences and, in the second decade of the 20th century, distilled them into a series of intimate, often enigmatic, colour-filled pictures. He died in 1919, aged 43, in the Spanish flu epidemic that swept away millions around the world at the tail end of World War I. An appropriate anniversary, then, for an exhibition about Gilman at the Pallant House Gallery in Chichester, the first such show for 35 years. It's called Harold Gilman: Beyond Camden Town , because it focuses on the final decade of the artist's career, when he moved on from the rather more formal post-Impressionism of the Camden Town Group around the often very murky Walter Sickert. He continued to depict everyday subjects and apply his paint thickly but became, well, just a little bit more daring and experimental. At the start of this show there's a brownish...