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Showing posts from September, 2018

Men Behaving Badly; Women and Children Too

When we visit the Netherlands or come across the Dutch abroad, we always feel they know how to relax and enjoy life. Visit Museum De Lakenhal in Leiden and you'll see in their latest exhibition that this joie de vivre has a long tradition. The gallery is looking back 400 years to the birth in the city of Jan Steen, who frequently painted his countrymen having a good time. And yes, on occasion, perhaps just a little bit too much of a good time.  In this show,  At Home with Jan Steen -- 400 Years of Merrymaking , you will discover why the Dutch use the expression "a Jan Steen household" for a home where, well, things are maybe just a bit too free and easy. This is the painting that sums it up: What a jolly time everyone is having in The Merry Family . To the accompaniment of music, they are indeed making merry: singing, drinking and smoking. All are taking part; the old, the young, and even a baby wielding a spoon. The baby's not partaking of the alcohol or tobacco, adm...

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Now or Never: Opening in October

October sees the start of a series of exhibitions that promise to be exceptional, bringing together works of art that may never again be viewable in the same place at the same time. Museums and galleries across Europe aren't stinting on the superlatives. Two of the greatest artists of the Italian Renaissance come together at London's National Gallery for a show its director describes as "unprecedented and probably unrepeatable". Andrea Mantegna and Giovanni Bellini were brothers-in-law, and Mantegna's compositional innovations and Bellini's natural landscapes play a pivotal role in art history. With pictures loaned from around Europe and beyond, it runs from October 1 to January 27. Mantegna inspired Edward  Burne-Jones ,   and Tate Britain is giving   the late Pre-Raphaelite  his first major retrospective in London for more than 40 years. Over 150 works aim to show how Burne-Jones developed into one of the leading European, and not just British, artists...

Come to the Cabaret: Magic Realism at Tate Modern

The Weimar Republic: Germany in the 1920s. Berlin's clubs and cabarets are teeming with life amid a remarkable cultural upsurge that sees the birth of the Bauhaus and masterpieces in the new medium of film like Metropolis and The Blue Angel . But as the nation struggles to pay reparations for World War I, hyperinflation renders millions penniless and violent extremism stalks a splintered democratic system, paving the way for the Nazis to seize power in 1933. This, then, is the backdrop to Magic Realism: Art in Weimar Germany 1919-33  at Tate Modern in London. Drawn largely from the George Economou Collection in Athens, this is a sweep through a swathe of German figurative painting and graphic works, featuring big names like Otto Dix and George Grosz but also plenty of artists you may scarcely have heard of. If you've seen Aftermath , the show at Tate Britain about British, French and German art in the wake of World War I, this exhibition will take you deeper into some of t...