Skip to main content

Posts

Showing posts from October, 2021

Opening and Closing in August

August is always one of the quietest months for new exhibitions, and this year is no different, but we do have one big event to alert you to, as well as two splendid shows that only have weeks to run.  The one major opening is  Gwen John: Strange Beauties  at the National Galleries of Scotland in Edinburgh. Running from August 1 to January 4, this is a comprehensive retrospective of the work of the woman perhaps now seen as Wales's most significant artist, born 150 years ago this year. Maybe a little too comprehensive, according to some of the reviews of the show when it was on at the National Museum in Cardiff. The exhibition goes on to the Yale Center for British Art in New Haven, Connecticut, in February and then at the end of July next year to the National Museum of Women in the Arts in Washington DC. We saw a rather smaller Gwen John exhibition in Chichester in 2023.  Last chance to see.... Ending on August 23 is the exhibition at the Lakenhal in Leiden ...

Subscribe to updates

Opening in November

William Hogarth -- now there's a painter you think of as British through and through, flag-wavingly so. Just look at a painting such as  'O the Roast Beef of Old England' . So an exhibition entitled  Hogarth and Europe at Tate Britain in London has something of a curious ring to it. Starting on November 3, it aims to show how Hogarth's portrayal of a rapidly changing British society in the mid-18th century was echoed by painters on the Continent, such as Francesco Guardi in Venice, Jean-Baptiste-Siméon Chardin in France and Cornelis Troost in Holland. Until March 20.  For an early pioneer of pan-European art, look no further than Albrecht Dürer. Dürer's Journeys: Travels of a Renaissance Artist at the National Gallery from November 20 follows the master painter from Nuremberg on his trips to the Low Countries and across the Alps, spreading his own reputation and exchanging ideas with his Dutch and Italian counterparts. The first major Dürer exhibition in the UK fo...

The Two Faces of Dante Gabriel Rossetti

Rossetti's Portraits -- well, up to a point. There are some gorgeous paintings by Dante Gabriel Rossetti of his favourite sitters and his muses that are the star attractions of this show about the Pre-Raphaelite at the Holburne Museum in Bath.  But amid all the big hair and the pouting red lips, just how many really are portraits, giving you an insight into the characters of the women he's depicted? And how many are those idealised visions of enigmatic women Rossetti seemed to specialise in, those ladies of the town with the kiss of a snake that LS Lowry found so attractive.  For example, here's Alexa Wilding, one of Rossetti's most frequent models, though, for once, apparently not one of his love interests. She's posed as  Monna Vanna , the vain woman, a painting originally entitled Venus Veneta , representing the Venetian ideal of female beauty. Staring into the distance, resplendent in a billowing, ornate gown and fingering her fantastic fan and her coral neckl...