The Art Exhibitions Blog

You may have noticed that it's the 250th anniversary of John Constable's birth this year, while JMW Turner was born 250 years ago last year and Thomas Gainsborough's 300th birthday falls in 2027. Put them all together and you get  Gainsborough, Turner and Constable: Inventing Landscape  at Gainsborough's House in Sudbury, Suffolk. This show, running from April 25 to October 11, explores the emergence of English landscape painting through three of its greatest exponents, and it features mostly rarely seen works from private collections -- including Turner's Abergavenny Bridge , which hasn't been on public display since 1799!  Meanwhile, the show that's just been on at Gainsborough's House --  Love & Landscape: Stanley Spencer in Suffolk  -- transfers to the Stanley Spencer Gallery in Cookham, Berkshire, starting on April 4. On till November 1, the exhibition explores the pivotal role the time Spencer spent in Suffolk had on his career. You can read he...

It's widely referred to as the world's most valuable private art collection : the one assembled over decades by the Nahmad brothers, dealers Ezra and David . Worth an estimated $3 billion or more, it's said to include hundreds of Picassos. Some 60 works from it are now on display at the Musée des impressionnismes in Giverny as  The Nahmad Collection: From Monet to Picasso . Intended, apparently, to demonstrate how art developed from the early 19th century through Impressionism and on to the start of the modern era, towards the liberation of colour and form, this is an exhibition that ends up coming across as somewhat incoherent. We're not really told much about the Nahmads or their collecting choices -- and as you search the Internet, things become slightly mysterious: Is Ezra alive or dead? The art, presumably, is supposed to speak for itself, but it's a rather eclectic, if not confusing, selection; some of the works are fantastic, some are distinctly ho-hum.  Let...

An advertising poster, you might think, is completely ephemeral -- just a sheet of paper that's here today, gone tomorrow, fading in the wind and rain and then pasted over by a newer, fresher advert. The most successful advertising, though, is anything but ephemeral. How many of those television commercials from your childhood still resonate today, for example? And as the advertising poster came into its own in late 19th-century Paris, it produced some of the most striking images in French art -- and became a collector's item in its own right.   Now those posters can be seen en masse at the Musée d'Orsay in  Art Is in the Street , a fun if somewhat bloated exhibition that gives due credit to the masters of the art: not just Alfons Mucha, Pierre Bonnard and Henri de Toulouse-Lautrec , though they're here too, but also many others you've perhaps never heard of. This is a show that neatly brings together art and social history, often a winning formula in our eyes.  An...

There's much to admire about Suzanne Valadon, a very individual, hard-to-categorise painter who truly blazed a trail for women artists in the first half of the 20th century. But could you live with her brutal, unrelenting works on your wall?  One of the pictures that first greets you in the  Suzanne Valadon  retrospective at the Pompidou Centre in Paris is this one -- The Blue Room -- and it certainly slaps you in the face.  Valadon takes the tradition of the odalisque and turns it on its head. You've seen those nude women stretched out on a couch painted by men -- by Titian , by Goya , by Ingres and by Manet , but what about Valadon's version? It's not erotic, by any means. Her model is a bit more solidly built than most, and she's wearing a pair of stripy pyjama bottoms. Fag in mouth, she's also got a yellow paperback novel on the go. Could you imagine a man painting this in the early part of the 20th century? Could you imagine an English woman artist like L...

London's Courtauld Gallery is our first stop this month, for Goya to Impressionism: Masterpieces from the Oskar Reinhart Collection in the Swiss city of Winterthur. Cezanne, Manet, Monet, Renoir, Toulouse-Lautrec and van Gogh are among the artists featured in this show, which is taking place because the villa Am Römerholz, where the collection is usually housed, is being renovated this year. This exhibition is on from February 14 to May 26.  Think of Chelsea, and you may think of the annual flower show. The Saatchi Gallery, right on the King's Road, is picking up on that theme, playing host to some 500 artworks and objects in what looks to be a somewhat overwhelming exhibition entitled Flowers -- Flora in Contemporary Art & Culture . Dozens of artists are listed as being featured -- Pedro Almodóvar, Elizabeth Blackadder, Michael Craig-Martin and Damien Hirst, to name just a handful. It's on from February 12 until May 5. And with a younger audience in mind, Young V...

Toulouse-Lautrec: He's one of those artists who immediately creates an association in your mind. A very small man in a bowler hat, the naughty 1890s, the Moulin Rouge . It's by no means the whole story, as the retrospective at the Grand Palais in Paris,  Toulouse-Lautrec: Resolutely Modern , seeks to explain, but it's his depictions of Parisian nightlife that are still the most striking products of a short, hedonistic life. The Grand Palais is one of those venues that likes to give you a really comprehensive exhibition (quite a French trait). You hardly ever leave wanting more; you usually wish they'd trimmed it down a bit, and this one, with 228 works, is no exception. That said, it's largely an enjoyable and instructive show that takes you through Lautrec's life and art in a comprehensible, rounded chronology. Henri de Toulouse-Lautrec was born in 1864 in Albi in southern France. His family was an aristocratic one, but his parents were first cousins, and t...

Night is falling, and in Paris and Vienna, Berlin and New York, the clubs and cabarets are getting ready for business. There's music to be made, avant-garde art on the menu, a hint of rebellion in the air. That's the atmosphere we were hoping for in Into the Night: Cabarets and Clubs in Modern Art , an exhibition at London's Barbican Art Gallery. So can you feel the energy, sense the vibe? Frankly, no. Keep your jacket on, they advised us at the cloakroom, it's a bit cold in there. And they were right. It's not that there's a lack of interesting material on show here; there's some compelling art and some cracking stories to tell. But sadly, it's largely a dry and clinical exhibition-going experience. Where's the music, where's the action? Where's the life? Only occasionally do you feel truly drawn in to the maelstrom of artistic experimentation. Anyway, Fremder, étranger, stranger, where shall we begin our night on the tiles? How about ...