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Showing posts with the label Rijksmuseum

Tales of the Unexpected in Southampton

There are some familiar names and familiar paintings in  Art Then! British Painting, Sculpture and Drawing, 1910-1960 at Southampton City Art Gallery, but it's the unfamiliar that makes it especially worth the trip to a venue you might not normally consider for an exhibition. This show provides an excellent overview of art trends in this country in the first half of the 20th century. And it's free!  Southampton has a very good collection, but we often get the feeling that a lot of interesting works are in store behind closed doors. Pleasant surprises await when they finally see the light of the day, in this case in combination with a selection from the extensive Ingram Collection of modern British art. In all, there are more than 100 works by over 100 artists, demonstrating how the British reacted to the latest developments in art on the Continent. So let's start with a couple of hidden gems from the Southampton treasure trove, first of all a Landscape that really stoppe...
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New Exhibitions in February

Georges Seurat devised the Neo-Impressionist painting technique popularly known as Pointillism. He didn't live long and left only a small body of work, of which seascapes were a recurring motif; a couple of dozen paintings and drawings from summers spent on the northern coast of France will be brought together for  Seurat and the Sea   at the Courtauld Gallery in London from February 13 to May 17. Lucian Freud gained recognition as one of the greatest of British portrait painters for his intensely observed works, often of nudes. From February 12 to May 4, the National Portrait Gallery is putting on  Lucian Freud: Drawing into Painting , which will be the first exhibition in Britain to focus on his creations on paper, some of which have never been on public display before.   Ramses and the Pharaoh's Gold  is a travelling exhibition of treasures from Egypt's Supreme Council of Antiquities: 180 of them, with the coffin of the long-lived Ramses II among highlig...
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Vermeer -- Unmissable, If You Can Get a Ticket

Of course you'll want to see Vermeer at the Rijksmuseum in Amsterdam: It's absolutely stunning. But if you haven't been fortunate enough to secure a ticket yet, you may very well be disappointed. Even though it's on till early June and open late three evenings a week, it's absolutely sold out, though the museum is planning to make another announcement on Monday March 6 (set an alert on your phone) on how they'll make more tickets available.  This is truly an exceptional exhibition. Of the 37 paintings now attributed to Johannes Vermeer, the Rijksmuseum has assembled 28 (though there still seems to be an argument about whether a couple of them are truly by him). And although we've seen almost all of these pictures before, many of them on numerous occasions, it's a huge thrill to view them all together in one place. And we thought we'd done well to catch 23 Vermeers together at the Mauritshuis in The Hague in 1996.  So this truly is one of those bloc...
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Opening and Closing in February

The big new show in London this month is Donatello: Sculpting the Renaissance at the Victoria & Albert Museum, starting on February 11. Donatello created a revolution in sculpture in 15th-century Florence, and this show, with some 130 objects, includes much work that has never been seen in the UK before. It's the last in a series of interlinked exhibitions following shows in Florence and Berlin that were highly praised. On until June 11.  The Ashmolean Museum in Oxford takes us to ancient Crete beginning on February 10 for Labyrinth: Knossos, Myth & Reality . The palace of Knossos was the centre of the Bronze Age Minoan civilization, and legend had it that an enormous labyrinth was built there to hold the Minotaur, a creature half-man, half-bull. This exhibition includes more than 100 objects that have never left Greece before as well as two immersive experiences. It runs until July 30. Curiously, the new show at the Fitzwilliam Museum in Cambridge is also about the a...
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What's On in 2023 -- Vermeer, Hals, Friedrich

What are the highlights of the exhibition calendar in Europe in 2023? How about the biggest Vermeer show ever? A Frans Hals blockbuster? Or a couple of exhibitions to mark the 250th birthday (in 2024) of the great German Romantic, Caspar David Friedrich? There's quite a bit of Klimt and Van Gogh, too. Here are some of our picks for the year ahead, in more or less chronological order.  January Opening the year at London's Royal Academy is the opportunity to experience some of the highlights of the most extensive collection of Spanish art outside Spain, from the Hispanic Society of America in New York. On show will be paintings by El Greco, Velázquez and Goya, as well as Joaquín Sorolla , along with much else besides.  Spain and the Hispanic World: Treasures from the Hispanic Society Museum & Library runs from January 21 to April 10.  There's a new venue opening in London on January 25: The Lightroom in King's Cross, and until April 23 it's showing David Hockney...
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The Rhino that Made the Grand Tour -- Twice!

It's not easy being an international celebrity; you need a thick skin. Luckily, Clara was a rhinoceros.  But even though she was feted as she toured Europe, Clara lived a lonely life. Her mother was killed when she was captured by hunters in Assam at the age of just one month in 1738. For the next 20 years until her death, she never saw another rhino. She can't actually have known what she looked like.  The story of this 18th-century animal superstar is told at the Rijksmuseum in Amsterdam in  Clara the Rhinoceros . It's an exhibition for art-lovers, animal-lovers and history-lovers, and it's absolutely fascinating and fun.  And let's introduce you to the star of the show: Clara herself. Jean-Baptiste Oudry painted her in Paris in 1749, life-size. She was 11 years old, 3.6 metres long and 1.7 metres tall; and she weighed more than 2 1/2 tonnes. Yes, that painting is life-size; just try to imagine it on your wall.  What made Clara so special? Well, hardly anyone ...
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When Diego Met Rembrandt -- the Rematch

Two museums in two countries collaborate on a big exhibition, to be shown in both, and you tend to assume that, apart from a few tweaks, you'll see much the same in each city. What we weren't quite expecting when we went along to the Rijksmuseum in Amsterdam to see Rembrandt-Velázquez  this month was to find not only a completely different approach to the show we'd seen at the  Prado in Madrid  during the summer, but for the most part a completely different set of paintings.  The Prado exhibition bringing together the great Dutch and Spanish masters of the 17th century included some superlative pictures, but we were less than convinced by the curators' premise that, beneath the surface, there weren't really any national differences in the approach to art 400 years ago. It seemed a bit too much of an obvious pro-European political message and led to comparisons between paintings that we felt at times were rather contrived.  This show in Amsterdam, by con...
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