The James McNeill Whistler exhibition at Tate Britain is big, probably a bit too big, but it's packed with beautiful pictures and it's not in the least bit boring. That's not surprising as Whistler led a colourful life, never shying from controversy and confrontation -- notably pursuing a high-profile libel case against John Ruskin -- and he produced art that was groundbreaking, hugely influential and enormously atmospheric. Including, of course, probably one of the most recognisable paintings in art history, that of his mother in profile, dressed in black. It's in this show, and we'll be taking a look at it shortly. But we start in Whistler's studio, where the artist has painted himself at work, palette and brush in his hands, and looking out directly at us, the viewers. This is the first picture you see in the show, and we're told that for Whistler, the studio was a place for public performance, as well as making art. So here he is, making a statemen...
As London's Courtauld Gallery closes for a makeover , some of its highlights are making the short trip up the Strand for a show at the National Gallery. Courtauld Impressionists , which runs from September 17 to January 20, brings together works purchased in the 1920s by the industrialist Samuel Courtauld for his own collection as well as Impressionist and Post-Impressionist paintings he helped acquire for the National Gallery. Manet, Renoir, Cézanne, Seurat and Bonnard are represented and tickets are a modestly priced £7.50. There are two new exhibitions at the Royal Academy. The first traces the career of Renzo Piano , architect of the Shard, and it's on from September 15 to January 20. The second, starting September 29 and running until December 10, looks at the indigenous art of Oceania , marking the 250th anniversary of Captain James Cook's first voyage to the Pacific. Huge canoes and stunning god images are promised among the 200 artefacts. Dulwich...