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Showing posts with the label Francisco de Zurbarán

New Exhibitions in September

The Bayeux Tapestry  exhibition at the British Museum starts on September 10; it's already sold out for this year but booking for the rest of the run, from January 1 through to July 11, will open on October 21. If you've never seen this most breathtaking of historical artefacts, you may want to seize the chance before it leaves London next year for its permanent home in Normandy, which will have been renovated during its absence. At Southampton City Art Gallery, we're promised an extensive exhibition of British art from the first half of the 20th century, drawing on the museum's own substantial holdings and those of the Ingram Collection . Running from September 26 to February 21,  Art Then! British Painting, Sculpture and Drawing, 1910-1960  will feature artists including Barbara Hepworth, Gwen John , Paul Nash and Eric Ravilious.   There might not be much new on in London this month, but we'll always have Paris. Starting at the Musée Jacquemart-André with Time...
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Opening and Closing in August

August is always one of the quietest months for new exhibitions, and this year is no different, but we do have one big event to alert you to, as well as two splendid shows that only have weeks to run.  The one major opening is  Gwen John: Strange Beauties  at the National Galleries of Scotland in Edinburgh. Running from August 1 to January 4, this is a comprehensive retrospective of the work of the woman perhaps now seen as Wales's most significant artist, born 150 years ago this year. Maybe a little too comprehensive, according to some of the reviews of the show when it was on at the National Museum in Cardiff. The exhibition goes on to the Yale Center for British Art in New Haven, Connecticut, in February and then at the end of July next year to the National Museum of Women in the Arts in Washington DC. We saw a rather smaller Gwen John exhibition in Chichester in 2023.  Last chance to see.... Ending on August 23 is the exhibition at the Lakenhal in Leiden ...
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The Fabric of Faith

We must confess that religious paintings are not our favourite subject, and we've tended to regard Spanish Catholic art as being, well, just a little too religious to cope with. So we approached the Francisco de  Zurbarán  exhibition at the National Gallery in London with a certain amount of trepidation. A degree of contrition is due.... Yes, there were monks, altarpieces and lots of saints, but we were blown away by Zurbarán's ability to depict textures and fabrics and to convey an intensity of feeling.  It's an absolutely excellent exhibition, full of truly beautiful paintings. Such religious art was intended to bring the faithful closer to God, to bridge the gap between Heaven and Earth, in an age when many could not read. Zurbarán was a master at it. Let's start with a saint: Just take a look at the fabrics, trimmings and gems in this picture. And the garments are even more striking when you are stood in front of this nearly life-size figure.  This is Casild...
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When Diego Met Rembrandt -- the Rematch

Two museums in two countries collaborate on a big exhibition, to be shown in both, and you tend to assume that, apart from a few tweaks, you'll see much the same in each city. What we weren't quite expecting when we went along to the Rijksmuseum in Amsterdam to see Rembrandt-Velázquez  this month was to find not only a completely different approach to the show we'd seen at the  Prado in Madrid  during the summer, but for the most part a completely different set of paintings.  The Prado exhibition bringing together the great Dutch and Spanish masters of the 17th century included some superlative pictures, but we were less than convinced by the curators' premise that, beneath the surface, there weren't really any national differences in the approach to art 400 years ago. It seemed a bit too much of an obvious pro-European political message and led to comparisons between paintings that we felt at times were rather contrived.  This show in Amsterdam, by con...
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When Diego Met Rembrandt -- Close Encounters at the Prado

So, it's Spain against Holland in Madrid, for a much-anticipated meeting in the heat of the summer. And, from a rich pool of talent, there are some really big names on both sides. But it's not football we're here for, we've come to the Museo del Prado for 17th-century art, in the shape of an exhibition called  Velázquez, Rembrandt, Vermeer -- Parallel Visions . Is it any good? Well, the opening 25 minutes are fantastic and there's a real purple patch in the second half, but unfortunately they can't keep the pace up for the entire game. The idea of this show isn't so much a contest between the painters of opposing nations, it's to illustrate how similar their art was 350 years ago in the context of a united European culture (strong message here, one might say). National differences were overstated by art historians in the 19th and 20th centuries, the curators argue. Works by Spanish and Dutch masters hang side by side, for you to compare and contrast....
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