Truth is often stranger than fiction, isn't it? Head to the newly opened venue of Charleston in Lewes for Dorothy Hepworth and Patricia Preece: An Untold Story , an exhibition that relates a piece of art history that, you have to say, would make a good film. And here are the two principal characters: Dorothy, on the left, a talented graduate of the Slade School of Fine Art , and her fellow student, friend, lover, partner and collaborator Patricia, perhaps not quite so talented, but both passionate about art. The photograph seems to tell you a lot. Dorothy looks a little bit awkward and ill at ease, slightly frumpy, androgynous even. Patricia appears confident, glamorous, exuberant, perhaps a little.... possessive? But maybe we're getting ahead of ourselves. We need to establish the plot.... The rather retiring Hepworth and the outgoing, gregarious Preece became inseparable as students, and they planned to set up a studio together after graduation. In 1922, Preece took exam
German women Expressionists at the Royal Academy in London: This may be the exhibition you've long been waiting for, or the one to make you run a mile. Making Modernism focuses on the often very vibrant work of Gabriele Münter and Marianne von Werefkin, the intense portraits and self-portraits of Paula Modersohn-Becker and the frequently harrowing prints and sculptures of Käthe Kollwitz. Most of the 65 works have never been shown in the UK before. It's on from November 12 to February 12. A free display at the National Gallery features two JMW Turner paintings on loan from the Frick Collection in New York of the harbours at Dieppe and Cologne that the artist made on his frequent travels round Europe. Turner on Tour runs from November 3 to February 19. Back at Tate Britain from November 24 to February 26 is Lynette Yiadom-Boakye: Fly in League with the Night , a show whose run in 2020 was curtailed by lockdown. Around 70 works are on show in a retrospective of a contemporar