The Art Exhibitions Blog

Not long now till the Olympics start in Paris, but the Fitzwilliam Museum in Cambridge is looking back to the last such event in the French capital, the Chariots of Fire Games of 1924. Paris 1924: Sport, Art and the Body will use a range of media -- painting, fashion, film, photography and more -- to examine how tradition and modernism came together to shape the future of sport. July 19 to November 3, and entry is free.  Elsewhere in East Anglia, Gainsborough's House in Sudbury stages the first major exhibition in 40 years of the work of Cedric Morris, perhaps best known as a teacher of Lucian Freud at his art school in Suffolk and as a breeder of irises. We saw a couple of smaller-scale Morris shows in London back in 2018 , but this one aims to take a deeper and broader view of Morris and his artistic and romantic partner, Arthur Lett-Haines. Revealing Nature: The Art of Cedric Morris & Arthur Lett-Haines is on from July 6 to November 3.  The record for the most valuab...

The revolution won't happen overnight, but it's coming. And it will take place in 1874, when the rebels who'll become known as the Impressionists hold their first exhibition in Paris.  To see how the Impressionists got there, and what they were rebelling against, we've come to Cologne, and the Wallraf-Richartz-Museum, for an utterly enjoyable exhibition about the art of the 1860s and 70s that found official approval from the French state and from the traditionalist critics -- and the art that didn't. The show is entitled  1863 Paris 1874: Revolution in Art -- From the Salon to Impressionism , and this is the striking image that greets you as you enter, a painting that we've never seen before (it belongs to the Spanish central bank ) but which seems to sum up the entire topic for you in one go.  The Catalan artist Pere Borrell del Caso actually created this trompe l'oeil in 1874, completely independently of the Impressionists. It wasn't originally called ...

Pan-European art superstar Angelica Kauffman comes to the Royal Academy in London on March 1. Feted in London, Venice and Rome in the late 18th century, and indeed a founding member of the RA, she was one of the few women to smash through the glass ceiling of the male-dominated art world. Known above all for her celebrity portraits, she also created history paintings with a female slant. Kauffman was originally due a retrospective at the RA in 2020 before Covid struck, and we saw that show at the Kunstpalast in Dusseldorf. Her story is a fascinating one though, to be frank, we found the history more intriguing than some of her art. You can see Kauffman at the RA until June 30.   Two more women at Charleston in Lewes, but a very different tale.  Dorothy Hepworth and Patricia Preece: An Untold Story  from March 27 to September 8 relates how, over decades, the couple fooled the art world: The shy Hepworth created widely praised paintings that she signed not in he...