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Showing posts with the label Cyril Power

New Exhibitions in September

The Bayeux Tapestry  exhibition at the British Museum starts on September 10; it's already sold out for this year but booking for the rest of the run, from January 1 through to July 11, will open on October 21. If you've never seen this most breathtaking of historical artefacts, you may want to seize the chance before it leaves London next year for its permanent home in Normandy, which will have been renovated during its absence. At Southampton City Art Gallery, we're promised an extensive exhibition of British art from the first half of the 20th century, drawing on the museum's own substantial holdings and those of the Ingram Collection . Running from September 26 to February 21,  Art Then! British Painting, Sculpture and Drawing, 1910-1960  will feature artists including Barbara Hepworth, Gwen John , Paul Nash and Eric Ravilious.   There might not be much new on in London this month, but we'll always have Paris. Starting at the Musée Jacquemart-André with Time...

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An Art Form for the Modern Age -- Magical Linocuts at Dulwich

There seems to have been a point about 90 years ago when many of the features of modern life were starting to become if not commonplace, then at least a lot more familiar: the radio, the telephone, aeroplanes, talking pictures, electric trains. And yet amid all that technological progress, an art school in Pimlico was showing that a less sophisticated medium could also be revolutionary. At Dulwich Picture Gallery in south-east London, they're celebrating the emergence of the linocut as a serious art form. Between the wars, a group of artists captured speed and movement in vibrantly coloured prints that tell a story of rapid change. Cutting Edge: Modernist British Printmaking  features names you may never have heard of, but it's art that's hugely appealing. The linocut was seen as a basic printmaking technique for children when Claude Flight set up his extremely informal Grosvenor School of Art in Pimlico in 1925. He regarded it as an egalitarian art form in keeping with...