Truth is often stranger than fiction, isn't it? Head to the newly opened venue of Charleston in Lewes for Dorothy Hepworth and Patricia Preece: An Untold Story , an exhibition that relates a piece of art history that, you have to say, would make a good film. And here are the two principal characters: Dorothy, on the left, a talented graduate of the Slade School of Fine Art , and her fellow student, friend, lover, partner and collaborator Patricia, perhaps not quite so talented, but both passionate about art. The photograph seems to tell you a lot. Dorothy looks a little bit awkward and ill at ease, slightly frumpy, androgynous even. Patricia appears confident, glamorous, exuberant, perhaps a little.... possessive? But maybe we're getting ahead of ourselves. We need to establish the plot.... The rather retiring Hepworth and the outgoing, gregarious Preece became inseparable as students, and they planned to set up a studio together after graduation. In 1922, Preece took exam
Some of Britain's most prestigious museums and art galleries will be open again within weeks, although the visitor experience looks set to be very different. In London, the National Gallery and the Tate have just announced their plans, and it's the National Gallery that will be back in action first, on July 8. There will be timed tickets, limited visitor numbers, initially shorter opening hours, specific routes through the galleries, more efficient air-conditioning, and they'd like you to wear a face covering. Titian: Love, Desire, Death , the show of the reunited Titian series depicting classical myths that was open for just three days before lockdown, is now back on, extended until January 17. And continuing until September 20 is the free show about Rembrandt's pupil Nicolaes Maes , the painter whose most memorable contribution to the Dutch Golden Age is the witty sub-genre depicting mistresses eavesdropping on their servants. We saw it last year in The Hague.