"Silence is golden," according to the proverb, but the stillness in the paintings of Vilhelm Hammershøi is distinctly white, charcoal, and every shade of grey in between. However, there's nothing dull about the Dane's restricted palette, as we were able to appreciate, not for the first time, in Hammershøi: The Eye that Listens at the Museo Nacional Thyssen-Bornemisza in Madrid. His subject matter -- so often sparsely decorated rooms in which the doors, windows and light sources become focal points -- is mesmerising. This picture -- Sunbeams or Sunlight. Dust Motes Dancing in the Sunbeams. Strandgade 30 -- is so very typical. Apparently empty, lacking any subject matter -- just one wall of a room with a door, panelling and a window. Yet you are captivated by the illumination, and the space. Look how Hammershøi has depicted the light coming in through the window and on the frames round the panes. See how it casts a shadow on the jambs and follow th...
You may have noticed that it's the 250th anniversary of John Constable's birth this year, while JMW Turner was born 250 years ago last year and Thomas Gainsborough's 300th birthday falls in 2027. Put them all together and you get Gainsborough, Turner and Constable: Inventing Landscape at Gainsborough's House in Sudbury, Suffolk. This show, running from April 25 to October 11, explores the emergence of English landscape painting through three of its greatest exponents, and it features mostly rarely seen works from private collections -- including Turner's Abergavenny Bridge , which hasn't been on public display since 1799! Meanwhile, the show that's just been on at Gainsborough's House -- Love & Landscape: Stanley Spencer in Suffolk -- transfers to the Stanley Spencer Gallery in Cookham, Berkshire, starting on April 4. On till November 1, the exhibition explores the pivotal role the time Spencer spent in Suffolk had on his career. You can read he...