The Art Exhibitions Blog

It might seem a bit odd travelling to Madrid to see an exhibition by a Scandinavian artist.... but the Swede Anders Zorn made the journey to Spain nine times in his career. He wasn't a painter we'd been familiar with, the Swedes lagging some way behind their Nordic neighbours in our art explorations; we'd been intrigued by the idea of seeing a retrospective of his work in Hamburg late last year but didn't make it, so we seized the chance to view the same show at the Mapfre Foundation in Madrid under the title  Anders Zorn: Travelling the World, Remembering the Land . Zorn, who lived from 1860 to 1920, was a big name in his day, and it's easy to appreciate why from this exhibition. He had fantastic technique and worked in a broad range of genres, famed particularly for his portraiture. But he's quite difficult to pigeonhole, and as for some of his early subject matter, it really is rather sickly sweet.    As the exhibition title spells out, Zorn explored the worl...

She was a highly successful artist in 17th-century Brussels, creating the sort of paintings you might have seen from Rubens or Van Dyck, but then she vanished from art history. It's only very recently she's been rescued from obscurity, her pictures rightfully reattributed.  Michaelina Wautier  comes to the Royal Academy in London on March 27 from the Kunsthistorisches Museum in Vienna, offering the first opportunity to encounter her work on a large scale. On till June 21.  And while we're on the theme of new discoveries, we've made quite a few at the Dulwich Picture Gallery down the years. The latest arrival there is a completely unknown name to us, from the Baltic:  Konrad Mägi  (1878-1925), described as a pioneer of Estonian modernism. More than 60 of his works are being shown in the UK for the first time in an exhibition that runs from March 24 to July 12.  No introduction is needed for David Hockney, and he's taking over the Serpentine Gallery on March ...

This year marks the 100th anniversary of the death of Claude Monet, the Impressionist par excellence, and unsurprisingly there's no shortage of Monet-related exhibitions, particularly in France, to mark the occasion.  So if you want to fill 2026 with luminous, atmospheric landscapes and dreamy water lilies, we have some dates for your diary.  We'll take the big shows in chronological order, which means crossing the border into Germany for the first of them. We can vouch for it that  Monet on the Normandy Coast: The Discovery of Etretat  at the Städel Museum in Frankfurt is an excellent exhibition; we saw it in Lyon late last year. Monet was fascinated by the chalk cliffs around the fishing village of Etretat with their eroded formations -- creating bizarre doors and needles -- and he produced a series of pictures showing the light and weather effects on the land and sea. There are 24 works by him on display; Monet's the star, but you'll also find dozens mo...

Georges Seurat devised the Neo-Impressionist painting technique popularly known as Pointillism. He didn't live long and left only a small body of work, of which seascapes were a recurring motif; a couple of dozen paintings and drawings from summers spent on the northern coast of France will be brought together for  Seurat and the Sea   at the Courtauld Gallery in London from February 13 to May 17. Lucian Freud gained recognition as one of the greatest of British portrait painters for his intensely observed works, often of nudes. From February 12 to May 4, the National Portrait Gallery is putting on  Lucian Freud: Drawing into Painting , which will be the first exhibition in Britain to focus on his creations on paper, some of which have never been on public display before.   Ramses and the Pharaoh's Gold  is a travelling exhibition of treasures from Egypt's Supreme Council of Antiquities: 180 of them, with the coffin of the long-lived Ramses II among highlig...

"Fire and water.... the one all heat, the other all humidity -- who will deny that they both exhibit, each in its own way, some of the highest qualities of Art?" That was the Literary Gazette 's verdict in 1831 on JMW Turner and John Constable, probably the most admired of all British landscape artists. Almost exact contemporaries whose work is being celebrated at Tate Britain in  Turner & Constable: Rivals & Originals , a thoroughly engrossing exhibition that bathes you in the drama of Turner's golden sunlight, contrasted with perhaps the more understated charms of Constable's cloud-filled skies.  "The Sun is God" are supposed to have been Turner's last words, and throughout this show you can't get away from his solar worship -- one striking watercolour records The Sun Rising over Water . And that's it, that's all there is, but to be frank, you don't really notice the water. It's the bright yellow Sun that holds your eye,...

A day at the seaside: stripey deckchairs, a pebbly shore, groynes, choppy sea, swimwear and towels drying on a line and the edge of a brightly coloured beach hut. It's a very English scene. And look, even the sun is out. Surely everybody's having fun?  Sadly, the painter -- a very English artist -- wasn't enjoying himself. Stanley Spencer had come back to Suffolk, a place where he'd previously known happiness, seeking solace after divorce from his first wife and the almost immediate breakdown of his second marriage. On the beach at Southwold, there was an air of "suburban seaside abandonment", he wrote in his notebook. But painting it, he was separated from the jollity by the high sea wall. "I felt a kindred feeling with the bathing suits in the line in front of me in the scene that they seemed to be taking no part, as I was not, with the activities on the beach."  The tale is told and the painting can be seen in Suffolk now, at Gainsborough's Ho...