The Art Exhibitions Blog

The  James McNeill Whistler  exhibition at Tate Britain is big, probably a bit too big, but it's packed with beautiful pictures and it's not in the least bit boring.  That's not surprising as Whistler led a colourful life, never shying from controversy and confrontation -- notably pursuing a high-profile libel case against John Ruskin  -- and he produced art that was groundbreaking, hugely influential and enormously atmospheric. Including, of course, probably one of the most recognisable paintings in art history, that of his mother in profile, dressed in black. It's in this show, and we'll be taking a look at it shortly.  But we start in Whistler's studio, where the artist has painted himself at work, palette and brush in his hands, and looking out directly at us, the viewers. This is the first picture you see in the show, and we're told that for Whistler, the studio was a place for public performance, as well as making art. So here he is, making a statemen...

The Bayeux Tapestry  exhibition at the British Museum starts on September 10; it's already sold out for this year but booking for the rest of the run, from January 1 through to July 11, will open on October 21. If you've never seen this most breathtaking of historical artefacts, you may want to seize the chance before it leaves London next year for its permanent home in Normandy, which will have been renovated during its absence. At Southampton City Art Gallery, we're promised an extensive exhibition of British art from the first half of the 20th century, drawing on the museum's own substantial holdings and those of the Ingram Collection . Running from September 26 to February 21,  Art Then! British Painting, Sculpture and Drawing, 1910-1960  will feature artists including Barbara Hepworth, Gwen John , Paul Nash and Eric Ravilious.   There might not be much new on in London this month, but we'll always have Paris. Starting at the Musée Jacquemart-André with Time...

Visit the evocative Ferdinand Georg Waldmüller exhibition at the National Gallery in London and you could think it was sponsored by the Austrian Tourist Board, because these oil paintings so beautifully depict the magnificent Alpine scenery that has long attracted visitors.  Those towering mountains with their craggy grey peaks, so high they're topped with a glacier, the rich green meadows, some above the treeline, others on lower slopes or down in the valleys where the rivers meander. It's all there. But look a little longer and you become aware that some things are missing; where are those familiar chairlifts, cable cars, broad ski pistes, railways and roads? There are only a scattering of houses; maybe just a few inns and hotels catering for the adventurous, for Austrian tourism is in its infancy. That's because Waldmüller was born in Vienna in 1793 and died near the Vienna Woods in 1865.  Waldmüller: Landscapes , a free single-room display of just over a dozen paintings...

France had the Impressionists, Germany had the Expressionists, and Italy had the Futurists, but Scotland -- well, Scotland had the Colourists. Four of them, to be precise, creating quite distinctive, often very exuberant art in the first few decades of the 20th century, and you can see them right now in  Scottish Colourists: Radical Perspectives  at The Arc in Winchester.  We've featured the Colourists on this blog before , but you don't get the chance to see them in southern England that much, and this Winchester show (previously on at Dovecot Studios in Edinburgh) places them in context with some of their British and European contemporaries, some of whose work carries quite an impact. All in all, it's a very enjoyable exhibition.  The Colourists were JD Fergusson, SJ Peploe, FCB Cadell and Leslie Hunter. All influenced by developments in Post-Impressionist French art, and notably by the bold use of colour and line of the Fauvists , they didn't actually exhibit tog...

August is always one of the quietest months for new exhibitions, and this year is no different, but we do have one big event to alert you to, as well as two splendid shows that only have weeks to run.  The one major opening is  Gwen John: Strange Beauties  at the National Galleries of Scotland in Edinburgh. Running from August 1 to January 4, this is a comprehensive retrospective of the work of the woman perhaps now seen as Wales's most significant artist, born 150 years ago this year. Maybe a little too comprehensive, according to some of the reviews of the show when it was on at the National Museum in Cardiff. The exhibition goes on to the Yale Center for British Art in New Haven, Connecticut, in February and then at the end of July next year to the National Museum of Women in the Arts in Washington DC. We saw a rather smaller Gwen John exhibition in Chichester in 2023.  Last chance to see.... Ending on August 23 is the exhibition at the Lakenhal in Leiden ...

We must confess that religious paintings are not our favourite subject, and we've tended to regard Spanish Catholic art as being, well, just a little too religious to cope with. So we approached the Francisco de  Zurbarán  exhibition at the National Gallery in London with a certain amount of trepidation. A degree of contrition is due.... Yes, there were monks, altarpieces and lots of saints, but we were blown away by Zurbarán's ability to depict textures and fabrics and to convey an intensity of feeling.  It's an absolutely excellent exhibition, full of truly beautiful paintings. Such religious art was intended to bring the faithful closer to God, to bridge the gap between Heaven and Earth, in an age when many could not read. Zurbarán was a master at it. Let's start with a saint: Just take a look at the fabrics, trimmings and gems in this picture. And the garments are even more striking when you are stood in front of this nearly life-size figure.  This is Casild...