The Art Exhibitions Blog

Why did King Charles I bring Anthony van Dyck to London as his court painter in 1632? Well, van Dyck could make you look magnificent, every inch a monarch. He'd portrayed the ruling elite in all their sumptuous finery in Rome, Genoa, Brussels and The Hague, and the results were stunning. Van Dyck has the reputation of being the best portraitist in Europe in the early 17th century, and if you want to know why, make an effort to get to the Palazzo Ducale in Genoa to see  Van Dyck, the European , a superlative exhibition about a superlative painter.  This is what Charles was paying van Dyck's high prices for: that impression of regal might (and no expense spared on the fashionable outfits or coiffure either). The figures of the King and his Queen, Henrietta Maria, are about lifesize and feel incredibly real, even four centuries later.  Of course, just in case you didn't recognise His Royal Highness, there's his golden crown, sceptre and orb on the table behind him. Though ...

So the question to ask about the  Michaelina Wautier  exhibition at the Royal Academy in London must be: Is the hype about this recently rediscovered 17th-century woman painter justified? The answer: Yes, absolutely.  She really does merit acknowledgement -- and not just because we recognise a woman working in a man's world. Her art shows she was extremely talented, producing superb canvases covering a diverse range of subject matter. What's more, she painted very large pictures featuring male nudes, such as Bacchus, despite her contemporaries thinking that was not the sort of thing a female artist could do. And her portraits are wonderfully lively and lifelike. This is Martino Martini, an Italian Jesuit missionary who travelled to China in the 1640s. It was painted in 1654, when Michaelina was around 40. Martini, who was staying at the Jesuit College in Brussels, is depicted wearing traditional Chinese silk court attire and a hat of fur and feathers. A rather substantial...

When we visit the Netherlands or come across the Dutch abroad, we always feel they know how to relax and enjoy life. Visit Museum De Lakenhal in Leiden and you'll see in their latest exhibition that this joie de vivre has a long tradition. The gallery is looking back 400 years to the birth in the city of Jan Steen, who frequently painted his countrymen having a good time. And yes, on occasion, perhaps just a little bit too much of a good time.  In this show,  At Home with Jan Steen -- 400 Years of Merrymaking , you will discover why the Dutch use the expression "a Jan Steen household" for a home where, well, things are maybe just a bit too free and easy. This is the painting that sums it up: What a jolly time everyone is having in The Merry Family . To the accompaniment of music, they are indeed making merry: singing, drinking and smoking. All are taking part; the old, the young, and even a baby wielding a spoon. The baby's not partaking of the alcohol or tobacco, adm...

This month's star turn in London has to be  James McNeill Whistler  at Tate Britain, apparently the first major retrospective in Europe in 30 years and featuring 150 works. There's no doubting Whistler's position as one of the most influential of late 19th-century painters; just how often have you seen other artists alluding to his portrayal of his mother, the  Arrangement in Grey and Black , in their work? On at the Tate from May 21 to September 27, and then at the Van Gogh Museum in Amsterdam from mid-October. For a taster, here's a reminder of a smaller Whistler show at the Royal Academy in 2022.  One of the greatest names in Spanish 17th-century art is Francisco de Zurbarán. We have to admit, many of his religious paintings leave us cold, but he's also known for his portraits and still lifes. The first major exhibition devoted to him in the UK takes place at the National Gallery from May 2 to August 23. Zurbarán  will have almost 50 paintings, including th...

How was it that all but a few women artists became excised from art history? It wasn't as if there weren't plenty of them around, making stunning paintings, and lots of money, particularly in the Low Countries in the 17th and 18th century. Art history is of course now being rewritten, to rescue the forgotten from oblivion. To find out what happened and how the record is being put right, you should go to Ghent to see Unforgettable: Women Artists from Antwerp to Amsterdam, 1600-1750 at the Museum of Fine Arts.  Michaelina Wautier is a case in point: a woman who could compete on her own terms with the Baroque masters of the southern Netherlands, but whose work was disregarded or attributed to men until the last couple of decades. Wautier may well be the biggest rediscovery among forgotten women painters in recent years -- she's got an exhibition of her own on now at the Royal Academy in London -- and one of her pictures is among the stand-out works at this show in the heart ...