The James McNeill Whistler exhibition at Tate Britain is big, probably a bit too big, but it's packed with beautiful pictures and it's not in the least bit boring. That's not surprising as Whistler led a colourful life, never shying from controversy and confrontation -- notably pursuing a high-profile libel case against John Ruskin -- and he produced art that was groundbreaking, hugely influential and enormously atmospheric. Including, of course, probably one of the most recognisable paintings in art history, that of his mother in profile, dressed in black. It's in this show, and we'll be taking a look at it shortly. But we start in Whistler's studio, where the artist has painted himself at work, palette and brush in his hands, and looking out directly at us, the viewers. This is the first picture you see in the show, and we're told that for Whistler, the studio was a place for public performance, as well as making art. So here he is, making a statemen...
There are lots and lots of new exhibitions starting in September right across Europe. The big offering on our radar in London is at the Wallace Collection in the shape of Frans Hals: The Male Portrait . The Wallace's own The Laughing Cavalier will be joined by over a dozen of the Dutch painter's works from galleries in Britain, Europe and the US in the first ever show to focus on Hals's depictions of solo male sitters. On from September 22 to January 30. One of the world's most recognisable artworks, The Great Wave , by Katsushika Hokusai, will of course be part of an exhibition of work by this Japanese artist and printmaker starting on September 30 at the British Museum, but for once it's not the focus. Hokusai: The Great Picture Book of Everything , which is on until January 30, puts on display for the first time ever 103 drawings he made in the early 19th century for an encyclopedia that was never published. The works were recently acquired by the m...