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New Exhibitions in October

What a lot of new exhibitions this October! We list well over 20 across Europe below -- many more than usual -- and have still had to leave out quite a few that we'd mention in most other months in order to keep this post to a reasonable length. Let's start at the Royal Academy in London with deep blue seas, cloudless skies, intense light and the heat of the sun. From October 2 to January 31, you can experience the excitement Renoir, Cezanne, Matisse, Picasso and many others felt while  Painting the French Riviera . The exhibition features more than 160 exhibits from the 1870s to the 1960s, and a version of the show travels on to the  Cleveland Museum of Art in March.  Hmm, Renoir. Now perhaps seen as the most chocolate-boxy of the Impressionists, but without doubt the creator of some of the most recognisable images in French art of the late 19th century. Well worth stealing , and clearly the National Gallery is on to a winner with its  Renoir and Love  ex...

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Opening and Closing in October

There are a tremendous number of exhibitions opening this month, starting in London with Paul Cezanne at Tate Modern. Cezanne's painting revolutionised art at the end of the 19th century, and the Tate is promising us a "once-in-a-generation" show, the first big retrospective in the UK for more than 25 years, with around 80 works, more than 20 of them never before seen in Britain. They include The Basket of Apples from the Chicago Institute of Art, where the previous version of this show earned rave reviews. Cezanne is on in London from October 5 to March 12.  It's certainly not once in a generation for an exhibition about Lucian Freud, but it is the 100th anniversary of his birth this year, and his seven-decade career is surveyed at the National Gallery. Lucian Freud: New Perspectives will have more than 60 paintings, from early, intimate works to his late monumental fleshy nudes. It runs from October 1 to January 22, before heading to the Thyssen-Bornemisza muse...

Glyn Philpot: Buried Treasure

If Glyn Philpot had stuck to his very lucrative line in society portrait painting, the retrospective of his work at Pallant House Gallery in Chichester wouldn't have an awful lot to recommend it, frankly. But then, he probably wouldn't be getting a retrospective at the Pallant, and the reason to visit Glyn Philpot: Flesh and Spirit is to see the astonishing, unexpected pictures Philpot created in the late 1920s and 1930s when he said goodbye to the stuffed shirts and fancy frocks and embraced modernism with a vengeance.  This is the first major Philpot exhibition in almost 40 years. How has his work sailed under the radar for so long? Among the first paintings that greet you in this show are a set of striking images of Henry Thomas, a former seaman from Jamaica who modelled for Philpot as well as working as a domestic servant for him.  This image recalls the format of a Renaissance portrait or the head of a ruler on a coin, but it's a dignified black man, not a white king ...