The Art Exhibitions Blog

What begins with an Alphabet chart, shows off some choice Silverware, portrays Queen Victoria, highlights the horrors of World War I and crosses the Ocean? Oh yes, and also includes a Rabbit, the star of a classic children's book. It's the  William Nicholson  exhibition at the Pallant House Gallery in Chichester.  This is the first major show of Nicholson's work for more than 20 years and it covers the full and very varied range of his art -- including landscapes, portraits, posters and book illustrations -- in a career that lasted from the Victorian age until the middle of the 20th century. Among his paintings, though, it's the still lifes, often featuring glittering silver, that stand out. This  Silver Casket and Red Leather Box  conveys just how skilled he was at rendering materials and reflections. You can marvel at the accuracy of his reproduction of the silver tea caddy as the original is displayed in a glass case alongside. Of course the reflection i...

Self-portraits; now, we've seen quite a lot of exhibitions of those over the years. You know how Rembrandt or Vincent van Gogh saw themselves. But how do artists depict other artists? What happens when Peter Blake meets David Hockney, when Eric Ravilious takes on Edward Bawden? Answers can be found at the Pallant House Gallery in Chichester in a very interesting and illuminating exhibition entitled  Seeing Each Other: Portraits of Artists .  And sometimes the artist you see is a different artist from the one you might be expecting. When Mary McCartney photographed Tracey Emin in 2000, what came out was Frida Kahlo. McCartney felt a close affinity with the Mexican artist, and so did Emin, whose controversial My Bed had just been shortlisted for the Turner Prize. McCartney said she'd had a daydream of Emin as Kahlo, who spent a lot of time in bed herself as a result of her disabling injuries.  Emin was made up and dressed for the shoot, and then, according to McCartney , "...

We'll start this month at the King's Gallery in London, where more than 300 artworks and other objects from the Royal Collection will be on display from April 11 for  The Edwardians: Age of Elegance . Illustrating the tastes of the period between the death of Victoria and World War I, the show features the work of John Singer Sargent , Edward Burne-Jones , William Morris and Carl Fabergé, among others. On to November 23. More Morris at, unsurprisingly, the William Morris Gallery in Walthamstow.  Morris Mania , which runs from April 5 to September 21, aims to show how his designs have continued to capture the imagination down the decades, popping up in films and on television, in every part of the home, on trainers, wellies, and even in nuclear submarines.... From much the same era, Guildhall Art Gallery in the City offers  Evelyn De Morgan: The Modern Painter in Victorian London  from April 4 to January 4. De Morgan's late Pre-Raphaelite work with its beautifull...

Carrington: She only wanted to be known by her surname, unwittingly posing a conundrum for art historians, curators and the wider world a century later.  Because it's another somewhat later Carrington, the long-lived Surrealist and totally unrelated, who's recently become Britain's most expensive woman artist. But today we're at Pallant House Gallery in Chichester to see an exhibition not about Leonora but about Dora Carrington. She hated that name Dora -- so Victorian -- but with Leonora so much in the limelight (and the subject of a  recent show at Newlands House in Petworth, just a few miles up the road), the curators at the Pallant didn't have much option, so they've had to call their retrospective  Dora Carrington: Beyond Bloomsbury .  Leonora was a bit of a rebel, as we found out in Petworth. Dora too. But we ought to respect her wish. Carrington, then, has been a bit neglected recently; this is the first show of her works in three decades. And while ther...

When the Louvre put on a huge retrospective of the genre of still life in 2022-23, there were only five works by British artists on show out of a total of nearly 170. Brits don't do still life? Wrong, as shown in  The Shape of Things: Still Life in Britain at Pallant House Gallery in Chichester, with some 140 artworks. Some are beautiful, some are arresting, some are utterly surprising; one or two are downright weird. Boring? Not these still lifes.  The show starts off traditionally enough, with paintings from the 17th and 18th centuries, some the work of immigrant artists from the Low Countries, but some home-grown: Right here in Chichester, the three Smith Brothers were among the earliest English artists to specialise in still lifes, and here you can see the work of the eldest, William, with a choice array of fruit , and of George, with as English a theme as you could get, a joint of beef .  The second room takes us into the start of the 20th century, where the e...

When she was alive, Gwen John was a big name in the art world, a really big name. As we learn at the start of  Gwen John: Art and Life in London and Paris  at Pallant House Gallery in Chichester, her pictures were so admired in France in the 1920s that "everyone knows of Miss John.... and the Salon takes all she will send them."  But after her death at the start of World War II, John gained a reputation as something of a recluse, an artist who'd worked in isolation, and she was outshone by her flamboyant brother Augustus. This show in Chichester restores Gwen to her rightful position in art history, placing her squarely among a group of groundbreaking turn-of-the-century artists including Edouard Vuillard , Pierre Bonnard and her lover Auguste Rodin, for whom she posed.   This is a captivating exhibition. John's paintings -- largely portraits and interiors -- are not loud or showy; they're incredibly restrained, with their muted tones and soft brushwork conveyi...

The Pre-Raphaelites -- their lives, their loves and their art -- have a lasting attraction, and The Rossettis at Tate Britain has got the blockbuster feel to it, with 150 paintings and drawings. It is, surprisingly, the first ever retrospective of poet and painter Dante Gabriel at the Tate, and the biggest show of his work in two decades. It's also the largest show in 30 years of art by his wife and model Lizzie Siddal and will in addition cover the life of Romantic poet Christina Rossetti and Dante's relationships with his muses Fanny Cornforth and Jane Morris. An immersive experience is promised, including spoken poetry. It's on from April 6 to September 24. There'll be some beautiful art to look at, even if we can't escape the feeling we've trodden similar ground a couple of times recently, here and there .  A very different experience will be on offer over at Tate Modern in the shape of Hilma af Klint & Piet Mondrian: Forms of Life . The Swede af Klint...

Sussex: home to probably the most enticing landscapes in south-east England in the shape of the South Downs and, most spectacularly, the cliffs of the Seven Sisters and Beachy Head, together with large swathes of scarcely populated, thickly wooded countryside.   The weather's been a bit inclement recently, but if you head down to the Pallant House Gallery in Chichester for  Sussex Landscape: Chalk, Wood and Water , you can wander through the entire county without getting your boots dirty and appreciate why it's attracted artists for centuries. From JMW Turner and John Constable through to Eric Ravilious and Paul Nash and contemporary artists, there's much to enjoy in a glorious exhibition that's as invigorating as a good walk.  As you set off, you can get your bearings from a 1795 map at the entrance to the exhibition, showing what the county was like before the railways came and opened up access from London. Brighton -- or Brighthelmstone as it was then called -- is...