The Art Exhibitions Blog

It might be the anniversary year of the French Impressionists , but Tate Modern on London's South Bank has a different agenda, starting on April 25; they're taking a step on in time to explore the world of the avant-garde German  Expressionists: Kandinsky, Münter and the Blue Rider . The Tate has brought together more than 130 works from the likes of Wassily Kandinsky, Marianne von Werefkin, Franz Marc and Gabriele Münter, drawing to a large extent on the holdings of the Lenbachhaus in Munich. The show is on until October 20.  At the National Gallery, a free display from April 18 offers the chance to see The Last Caravaggio . The dramatically lit  Martyrdom of St Ursula  was painted in Naples in 1610, the year Caravaggio died in mysterious circumstances. Coming to London for the first time in 20 years, it'll be on show until July 21.  The Wallace Collection explores the life and times of Ranjit Singh (1780-1839), the first Maharaja of the Sikh Empire in Punjab,...

It's a story of triumph over adversity.  And an amazing piece of social history too. This is the tale of a woman who overcame severe disability to make a career out of painting, and not in modern times, but two centuries ago. There's a free exhibition all about her at the Philip Mould gallery in central London. It's called  "Without Hands": The Art of Sarah Biffin , and it's fascinating. Sarah Biffin was born into a farming family in Somerset in 1784, with neither arms nor legs, according to baptism records. She suffered from the same condition as the contemporary artist Alison Lapper , famously immortalised by Marc Quinn on the fourth plinth in Trafalgar Square. She was well known enough in Victorian times to have been mentioned on several occasions in the novels of Charles Dickens, but then she somehow faded from view.  Given the child mortality rates in the Georgian era, it would be wonder enough that a severely disabled baby like Sarah Biffin reached adul...

Spring came late to Britain this year, but there are plenty of flowers to be seen in Cedric Morris's garden. This rather forgotten artist, who died in 1982, has two main claims to fame: firstly, as a botanist who developed nearly 100 irises, and secondly, as a teacher of Lucian Freud. Now he's being brought back to the public eye with two concurrent exhibitions in London: Artist Plantsman  at the Garden Museum in Lambeth and Beyond the Garden Wall at Philip Mould in Pall Mall. Morris was born in Swansea in 1889, the son of an industrialist, and his story really begins after World War I, when he met and fell in love with fellow artist Arthur Lett-Haines, known as Lett. They went off to Paris and got to know a circle that included Gris, Léger, Duchamp, Man Ray and Hemingway, as well as travelling extensively. As you enter the Garden Museum exhibition, one of the first pictures you see is a 1919 portrait of Lett, looking louche in slouch hat and bow tie. We see Morris next...

If you enjoyed Claude Monet's views of Westminster in Impressionists in London  at Tate Britain, your next destination is clear: Monet and Architecture  just up the road at the National Gallery from April 9 to July 29. It's a new way of seeing Monet's work, the National says: the first exhibition looking at the great Impressionist's career through the buildings he painted, with more than 75 pictures together for the very first time. There's another blockbuster of a French-themed show coming at the British Museum: Rodin and the Art of Ancient Greece  opens on April 26 and can be seen until July 29. Rodin was captivated by the Parthenon sculptures when he saw them in 1881, and 100 years after his death, his work including The Thinker and The Kiss can be seen alongside them in a new light, the museum says. It's the season to get into the garden. So it's the perfect time to be inspired by the paintings of Cedric Morris, not only a botanist who cultivated ...