Truth is often stranger than fiction, isn't it? Head to the newly opened venue of Charleston in Lewes for Dorothy Hepworth and Patricia Preece: An Untold Story , an exhibition that relates a piece of art history that, you have to say, would make a good film. And here are the two principal characters: Dorothy, on the left, a talented graduate of the Slade School of Fine Art , and her fellow student, friend, lover, partner and collaborator Patricia, perhaps not quite so talented, but both passionate about art. The photograph seems to tell you a lot. Dorothy looks a little bit awkward and ill at ease, slightly frumpy, androgynous even. Patricia appears confident, glamorous, exuberant, perhaps a little.... possessive? But maybe we're getting ahead of ourselves. We need to establish the plot.... The rather retiring Hepworth and the outgoing, gregarious Preece became inseparable as students, and they planned to set up a studio together after graduation. In 1922, Preece took exam
Impressionism shook up the world of art, but that was nothing compared to what followed. After Impressionism at the National Gallery in London, starting on March 25, aims to take us through the revolutionary period from around 1880 to the start of World War I, on to Expressionism, Cubism and Abstraction, with Cezanne, Gauguin, van Gogh, Klimt, Kokoschka, Matisse, Picasso, Kandinsky and Rodin; among more than 100 works, including loans from around Europe and the US, there'll also be unfamiliar artists like Broncia Koller-Pinell. Until August 13. However, if you're not quite ready for the Post-Impressionists just yet, how about the leading woman Impressionist, who's coming to Dulwich Picture Gallery on March 31? Berthe Morisot: Shaping Impressionism will include more than 30 of her works, nine of them from the Musée Marmottan Monet in Paris, as well as looking at how she drew inspiration from 18th-century paintings by the likes of Fragonard, Watteau, Gainsborough and Reyno