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Symphonies and Nocturnes on Canvas

The  James McNeill Whistler  exhibition at Tate Britain is big, probably a bit too big, but it's packed with beautiful pictures and it's not in the least bit boring.  That's not surprising as Whistler led a colourful life, never shying from controversy and confrontation -- notably pursuing a high-profile libel case against John Ruskin  -- and he produced art that was groundbreaking, hugely influential and enormously atmospheric. Including, of course, probably one of the most recognisable paintings in art history, that of his mother in profile, dressed in black. It's in this show, and we'll be taking a look at it shortly.  But we start in Whistler's studio, where the artist has painted himself at work, palette and brush in his hands, and looking out directly at us, the viewers. This is the first picture you see in the show, and we're told that for Whistler, the studio was a place for public performance, as well as making art. So here he is, making a statemen...
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Opening in August

August tends to be a relatively thin month for exhibition openings, but we do have a couple of events to tell you about in London, as well as three in and around Berlin.  

August 3 marks the 300th anniversary of the death of Grinling Gibbons, Britain's greatest ever woodcarver, and appropriately it's the opening day of a touring exhibition to celebrate his legacy. Grinling Gibbons: Centuries in the Making will run until August 27 at Bonhams in London's New Bond Street, featuring some of Gibbons' finest Baroque works, including his astonishing imitation-lace cravat. Entry is free. The show can then be seen at Compton Verney in Warwickshire from September 25 to January 30. 

Just before this year's (or should it be last year's?) Olympics close in Tokyo, an exhibition opens looking back to how the previous games in the city brought Japan into the modern era with innovations such as the Shinkansen bullet train. Tokyo 1964: Designing Tomorrow at Japan House London on Kensington High Street will run from August 5 to November 7 and include original posters, costumes and architectural models. This is another show to which admission is free of charge. 
Alexander Calder revolutionised sculpture with the invention of the mobile (no, not the phone!), and there are mobiles and stabiles large and small and lots more in an exhibition being staged at the Neue Nationalgalerie in Berlin as part of the museum's reopening after five years of restoration and refurbishment. One of Calder's more monumental pieces stands outside the modernist building by Mies van der Rohe. Alexander Calder: Minimal/Maximal is on from August 22 until February 13.
Back in 2019, we saw a fascinating exhibition at the Design Museum in Den Bosch about design in the Third Reich, which featured the work of artists like Arno Breker, one of Hitler's favourites and creator of sculptures for the Führer's chancellery. But what happened after the war to those painters and sculptors who worked for the Nazis? Find out at Berlin's Deutsches Historisches Museum from August 27 in 'Divinely Gifted': National Socialism's Favoured Artists in the Federal Republic. Until December 5.

Coming to the Museum Barberini in Potsdam on August 28 is Impressionism in Russia: Dawn of the Avant-Garde, an exhibition delayed from last winter because of the coronavirus pandemic. With over 80 works, this show aims to place Russian art from around 1900 in the context of of western European modern art. On until January 9, the exhibition is being staged in cooperation with the State Tretyakov Gallery in Moscow. 

Images

1964 Tokyo Olympics Official Poster, The Hinomaru (Sun) Flag. Courtesy of Prince Chichibu Memorial Sports Museum
Alexander Calder, Têtes et Queue, 1965, in front of the Neue Nationalgalerie, Berlin. © Staatliche Museen zu Berlin, Nationalgalerie/Reinhard Friedrich
Mikhail Larionov, Lilacs, 1904-5, State Tretyakov Gallery, Moscow. © VG Bild-Kunst, Bonn 2020

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