Georges Seurat was on to something when he moved on from Impressionism to develop the radically different painting technique popularly known as Pointillism. He and his followers applied unmixed dots of pure colour to their canvases, separate little spots of paint that, the theory went, would come together in the eye of the viewer to create glowing, luminous pictures. Seurat died young, and Pointillism didn't really hang around for very long either. But it produced some gorgeous art, and 50 or so of its finest creations are gathered at the National Gallery in London in Radical Harmony: Helene Kröller-Müller's Neo-Impressionists . It's a glorious, light-filled, uplifting exhibition, and the most enjoyable show we've been to all year. "Art is harmony," Seurat said, and it's hard to argue with that in this show. These pictures are Helene Kröller-Müller's Neo-Impressionists, by the way, because more than half of them come from the Kröller-Müller Museum i...
Georges Seurat was on to something when he moved on from Impressionism to develop the radically different painting technique popularly known as Pointillism. He and his followers applied unmixed dots of pure colour to their canvases, separate little spots of paint that, the theory went, would come together in the eye of the viewer to create glowing, luminous pictures. Seurat died young, and Pointillism didn't really hang around for very long either. But it produced some gorgeous art, and 50 or so of its finest creations are gathered at the National Gallery in London in Radical Harmony: Helene Kröller-Müller's Neo-Impressionists . It's a glorious, light-filled, uplifting exhibition, and the most enjoyable show we've been to all year. "Art is harmony," Seurat said, and it's hard to argue with that in this show. These pictures are Helene Kröller-Müller's Neo-Impressionists, by the way, because more than half of them come from the Kröller-Müller Museum i...