Opening and Closing in May

Jean-François Millet -- one of the most influential artists of the 19th century with his depictions of toiling country folk -- is the subject of a free exhibition in just one room at London's National Gallery that opens on August 7. Millet: Life on the Land mainly features work from British museums, but has a star attraction in the shape of L’Angélus from the Musée d'Orsay. On until October 19. In eastern Germany, Chemnitz is one of this year's European capitals of culture, and one of the major exhibitions on their programme starts on August 10. Edvard Munch -- Angst in the Kunstsammlungen am Theaterplatz will recall, in part, a visit by Munch to Chemnitz 120 years ago. And, of course, there'll be a version of The Scream . Until November 2. On the other side of the country, a rather different offering at the Bundeskunsthalle in Bonn: an exhibition devoted to the German filmmaker Wim Wenders, creator of Wings of Desire and Paris, Texas , and marking his 8...

Opening and Closing in May

It's a motif that recurs in art down the centuries, going back to ancient times: a woman at a window. A new show at Dulwich Picture Gallery in south-east London builds an exhibition on the theme around its own Girl at a Window by Rembrandt with more than 40 works going right up to the present day, though don't expect Vermeer or Caspar David Friedrich. Reframed: The Woman in the Window runs from May 4 to September 4.

We've seen Edvard Munch in Oslo at the old Munch Museum and the old National Gallery, but we've never been to the significant Munch collection at KODE in Bergen, collected during the painter's lifetime by the industrialist Rasmus Meyer. Eighteen works from the collection, dating from the 1880s and 1890s, will be on show at the Courtauld Gallery from May 27 to September 4 in Edvard Munch: Masterpieces from Bergen. Will this be as popular as the Van Gogh Self-Portraits show at the Courtauld, which finishes on May 8 but is completely sold out?

A free exhibition at the Fitzwilliam Museum in Cambridge brings together more than 100 works from its own collection as well as from the National Gallery of Art in Washington and the Fondation Custodia in Paris for True to Nature: Open-Air Painting in Europe 1780-1870. Constable, Corot and Turner were among the artists who sought new ways of depicting the natural world as travel became easier and equipment more compact. On from May 3 to August 29.

The Tudors: Passion, Power and Politics at the Walker Art Gallery in Liverpool presents the five Tudor monarchs from Henry VII to Elizabeth I and the people around them -- some of the most recognisable characters in English history, including Thomas Cromwell and William Shakespeare -- through around 100 objects, many from the National Portrait Gallery. The exhibition runs from May 21 to August 29; a smaller version of this show has been on at the Holburne Museum in Bath.

The Pallant House Gallery in Chichester has the first major exhibition to feature British artist Glyn Philpot (1884-1937) in almost four decades. Glyn Philpot: Flesh and Spirit will show how the painter moved from society portraits in the Edwardian era to a more modernist style, including sensitive depictions of black sitters, among them the actor Paul Robeson. This one is on from May 14 to October 23.

From May 17, the Belgian pointillist Théo van Rysselberghe is the subject of a show at Singer Laren in the Netherlands. Théo van Rysselberghe: Painter of the Sun will encompass his society portraits, land- and seascapes and nudes. It runs until September 4.

At the Pompidou Centre in Paris, they're offering a comprehensive look at Weimar Germany, though with close to 900 artworks and documents on show it does sound a little overwhelming. Germany / 1920s / New Objectivity / August Sander features paintings and drawings by George Grosz, Otto Dix and Jeanne Mammen, among others, as well as August Sander's photographs of Germans of all classes in People of the 20th Century. In Paris from May 11 to September 5, and then the show moves on to the Louisiana Museum of Modern Art north of Copenhagen in October.

On in Denmark before then: Krøyer and Paris, starting on May 13 at the Skagens Museum at the northern tip of Jutland. This celebrates the work of one of the leading Skagen painters, P.S. Krøyer, alongside French art that inspired him, with Courbet, Caillebotte, Monet and Sisley among those represented, in a show that continues until September 18.

It's the 300th anniversary of the birth in Venice of Bernardo Bellotto, nephew of Canaletto and painter of many fine city views, particularly of Dresden, where he worked for Frederick August, Elector of Saxony and King of Poland. Enchantingly Real at the Zwinger in Dresden has Bellotto's cityscapes on display from May 21 to August 28.

Last chance to see....

There's no charge to get into a small display at the National Gallery in London to see what all the fuss was about over Thomas Gainsborough's Blue Boy, once the most expensive picture in the world. Until May 15, after which he flies back home to California.

The best art exhibition we've seen so far this year is Whistler's Woman in White: Joanna Hiffernan at the Royal Academy, which ends on May 22. Some gorgeous art, intelligently presented. Tickets are still available.

Images

Tom Hunter, Woman Reading Possession Order, 1997, from the series Persons Unknown, courtesy the artist

Marcus Gheeraerts the Younger, Queen Elizabeth I ('The Ditchley Portrait'), c. 1592. © National Portrait Gallery, London

Peder Severin Krøyer, Summer Evening on Skagen Sønderstrand, 1893, Skagens Kunstmuseer, Skagen, Denmark. © Skagens Kunstmuseer

James Abbott McNeill Whistler, Symphony in White, No 1: The White Girl, 1862, National Gallery of Art, Washington

What's On in 2025

What will be the exhibition highlights of 2025 around Britain and Europe? At the end of the year, Tate Britain will be marking 250 years since the birth of JMW Turner and John Constable with a potential blockbuster. Meanwhile, the Swiss are making a big thing of the 100th anniversary of the death of Félix Vallotton (a real favourite of ours). Among women artists in the spotlight will be Anna Ancher, Ithell Colquhoun, Artemisia Gentileschi and Suzanne Valadon. Here's a selection of what's coming up, in more or less chronological order; as ever, we make no claim to comprehensiveness, and our choice very much reflects our personal taste. And in our search for the most interesting shows, we're visiting Ascona, Baden-Baden, Chemnitz and Winterthur, among other places. January We start off in Paris, at the Pompidou Centre; the 1970s inside-out building is showing its age and it'll be shut in the summer for a renovation programme scheduled to last until 2030. Bef...

Carrington: You've Met Leonora, Now Discover Dora

Carrington: She only wanted to be known by her surname, unwittingly posing a conundrum for art historians, curators and the wider world a century later. Because it's another somewhat later Carrington, the long-lived Surrealist and totally unrelated, who's recently become Britain's most expensive woman artist. But today we're at Pallant House Gallery in Chichester to see an exhibition not about Leonora but about Dora Carrington. She hated that name Dora -- so Victorian -- but with Leonora so much in the limelight (and the subject of a recent show at Newlands House in Petworth, just a few miles up the road), the curators at the Pallant didn't have much option, so they've had to call their retrospective Dora Carrington: Beyond Bloomsbury . Leonora was a bit of a rebel, as we found out in Petworth. Dora too. But we ought to respect her wish. Carrington, then, has been a bit neglected recently; this is the first show of her works in three decades. And while ther...

Caillebotte: This Is Modern Paris

You won't find a single work of art by Gustave Caillebotte in a British public collection. And yet he's one of the key figures in the Impressionist movement, whose 150th anniversary we're celebrating this year. But over in Paris, he's the subject of a big, big exhibition at the Musée d'Orsay; we jumped on the Eurostar to see it, and, even though Caillebotte: Painting Men was the most crowded show we'd been to in quite some time, we absolutely adored it. And let's start with perhaps the pièce de résistance. Even if you don't know Caillebotte at all, you may have seen this image before; there's something about it that encapsulates late 19th-century Paris, with its view of an intersection between the broad new streets pushed through by that radical city-planner, Baron Haussmann, lined by elegant new buildings. This was the modern city, the modern world. Paris Street; Rainy Day : a painting in which there's nothing really happening, and there...

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Opening and Closing in August

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